His sister had another one, she paid it for a lime
She put the lime in the coconut, she drank them both up
She put the lime in the coconut, she drank them both up
She put the lime in the coconut, she drank them both up
She put the lime in the coconut, she called the doctor, woke him up
And said, Doctor, ain't there nothin' I can take
I say, doctor, to relieve this bellyache?
I say, doctor, ain't there nothin' I can take
I say, doctor, to relieve this bellyache?
Now let me get this straight
You put the lime in the coconut, you drank them both up
You put the lime in the coconut, you drank them both up
Put the lime in the coconut, you drank them both up
Put the lime in the coconut, you called your doctor, woke him up
And said, Doctor, ain't there nothing I can take
I said, Doctor, to relieve this bellyache?
I said, Doctor, ain't there nothin' I can take
I said, Doctor, to relieve this bellyache?
You put the lime in the coconut, you drink 'em both together
Put the lime in the coconut, then you feel better
Put the lime in the coconut, drink 'em both up
Put the lime in the coconut, and call me in the morning
Whoo-whoo-whoo, whoo-ooh-ooh, whoo-ooh-ooh
Whoo-whoo-whoo, whoo-ooh-ooh, whoo-ooh-ooh
Whoo-whoo-whoo, whoo-ooh-ooh, whoo-ooh-ooh
Whoo-whoo-whoo, whoo-ooh-ooh, whoo-ooh-ooh
Brother bought a coconut, he bought it for a dime
His sister had another one, she paid it for a lime
She put the lime in the coconut, she drank them both up
And put the lime in the coconut, she called the doctor, woke him up
Said, Doctor, ain't there nothin' I can take
I said, Doctor, to relieve this bellyache?
I said, Doctor, ain't there nothin' I can take?
I said, Doctor
Now let me get this straight
You put the lime in the coconut, you drink 'em both up
Put the lime in the coconut, you drink 'em both up
Put a lime in the coconut, you drink 'em both up
Put the lime in the coconut, you such a silly woman
Put a lime in the coconut and drink 'em both together
Put the lime in the coconut, then you feel better
Put the lime in the coconut, drink 'em both down
Put the lime in the coconut, and call me in the morning
Whoo-whoo-whoo-whoo, ain't there nothin' you can take
I say, whoo-whoo-whoo-whoo, to relieve your bellyache
You say, well, whoo-whoo-whoo-whoo, ain't there nothing I can take
I say, whoo-whoo, to relieve your bellyache
You say, yeah, ain't there nothin' I can take
I say, waah waah, to relieve this bellyache
I say, Doctor, ain't there nothin' I can take?
I say, Doctor, ain't there nothing I can take?
I say, Doctor, ain't there nothing I can take?
I say, Doctor
You're such a silly woman
Put the lime in the coconut and drink them both together
Put the lime in the coconut, then you feel better
Put the lime in the coconut, drink 'em both up
Put the lime in the coconut, and call me in the mo-o-o-o-orning
Yes, you call me in the morning
If you call me in the morning, I'll tell you what to do
If you call me in the morning, I'll tell you what to do
If you call me in the morning, I'll tell you what to do
If you call me in the morning, I'll tell you what to do
Well, if you call me in the morning, I'll tell you what to do
Harry Edward Nilsson III (June 15, 1941 – January 15, 1994), sometimes credited as Nilsson, was an American singer-songwriter who reached the peak of his success in the early 1970s. His work is characterized by pioneering vocal overdub experiments, a return to the Great American Songbook, and fusions of Caribbean sounds. Nilsson was one of the few major pop-rock recording artists to achieve significant commercial success without performing major public concerts or touring regularly.
Born in Brooklyn, Nilsson moved to Los Angeles as a teenager to escape his family's poor financial situation. While working as a computer programmer at a bank, he grew interested in musical composition and close-harmony singing and was successful in having some of his songs recorded by various artists, such as the Monkees. In 1967, he debuted on RCA Victor with the LP Pandemonium Shadow Show, followed by a variety of releases that included a collaboration with Randy Newman (Nilsson Sings Newman, 1970) and the original children's story The Point! (1971).
He created the first remix album, Aerial Pandemonium Ballet, in 1971, and recorded the first mashup song ("You Can't Do That”) in 1967. His most commercially successful album, Nilsson Schmilsson (1971), produced the international top 10 singles "Without You" and "Coconut". His other top 10 hit, "Everybody's Talkin'" (1968), was featured prominently in the 1969 film Midnight Cowboy. A version of Nilsson's "One", released by Three Dog Night in 1969, also reached the U.S. top 10.
During a 1968 press conference, The Beatles were asked what their favorite American group was and answered "Nilsson". Sometimes called "the American Beatle", he soon formed close friendships with John Lennon and Ringo Starr, joining them in the Hollywood Vampires drinking club. He and Lennon produced one collaborative album, Pussy Cats (1974). After 1977, Nilsson left RCA, and his record output diminished. In response to Lennon's 1980 murder, he took a hiatus from the music industry to campaign for gun control. For the rest of his life, he recorded only sporadically. In 1994, Nilsson died of a heart attack while in the midst of recording what became his last album, Losst and Founnd (2019).
The craft of Nilsson's songs and the defiant attitude he projected remain touchstones for later generations of indie rock musicians. Nilsson was voted No. 62 in Rolling Stone's 2015 list of the "100 Greatest Songwriters of All Time", where he was described as "a pioneer of the Los Angeles studio sound" and "a crucial bridge" between 1960s psychedelia and the 1970s singer-songwriter era. The RIAA certified Nilsson Schmilsson and Son of Schmilsson (1972) as gold records, indicating over 500,000 units sold each. He earned two Grammy Awards (for "Everybody's Talkin'" and "Without You").
