
You ain't got time to call your soul a critic, no
Right outside the lazy gate
Of winter's summer home
Wondering where the nuthatch winter's
Wings a mile long
Just carried the bird away
Wake up to find out that you are the eyes of the world
But the heart has its beaches, its homeland and thoughts of its own
Wake now discover that you are the song that the morning brings
But the heart has its seasons, its evenings and songs of its own
There comes a redeemer and he slowly, too, fades away
And there follows his wagon behind him that's loaded with clay
And the seeds that were silent all burst into bloom and decay
And night comes so quiet, its close on the heels of the day
Sometimes we live no particular way but our own
And sometimes we visit your country and live in your home
Sometimes we ride on your horses, sometimes we walk alone
Sometimes the songs that we hear are just songs of our own

Grateful Dead was an American rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, blues, jazz, folk, country, bluegrass, rock and roll, gospel, reggae, and world music with psychedelia, the improvisation of their live performances, and its devoted fan base, known as "Deadheads". According to the musician and writer Lenny Kaye, the band's music "touches on ground that most other groups don't even know exists." For the range of their influences and the structure of their live performances, Grateful Dead are considered "the pioneering godfathers of the jam band world".
Grateful Dead was founded in the San Francisco Bay Area during the rise of the counterculture of the 1960s. The band's founding members were Jerry Garcia (lead guitar and vocals), Bob Weir (rhythm guitar and vocals), Ron "Pigpen" McKernan (keyboards, harmonica, and vocals), Phil Lesh (bass guitar and vocals), and Bill Kreutzmann (drums). Members of Grateful Dead, originally known as the Warlocks, had played together in various Bay Area ensembles, including the traditional jug band Mother McCree's Uptown Jug Champions. Lesh was the last member to join the Warlocks before they changed their name to Grateful Dead, replacing Dana Morgan Jr., who had played bass for a few gigs. Drummer Mickey Hart and non-performing lyricist Robert Hunter joined in 1967. With the exception of McKernan, who died in 1973, and Hart, who took time off from 1971 to 1974, the core of the band stayed together for its entire 30-year history. Other official members of the band included Tom Constanten (keyboards from 1968 to 1970), John Perry Barlow (non-performing lyricist from 1971 to 1995), Keith Godchaux (keyboards and occasional vocals from 1971 to 1979), Donna Godchaux (vocals from 1972 to 1979), Brent Mydland (keyboards and vocals from 1979 to 1990), and Vince Welnick (keyboards and vocals from 1990 to 1995). Bruce Hornsby (accordion, piano, vocals) was a touring member from 1990 to 1992, as well as a guest with the band on occasion before and after the tours.
After Garcia's death in 1995, former members of the band, along with other musicians, toured as The Other Ones in 1998, 2000, and 2002, and as The Dead in 2003, 2004, and 2009. In 2015, the four surviving core members marked the band's 50th anniversary in a series of concerts that were billed as their last performances together. There have also been several spin-offs featuring one or more core members, such as Dead & Company, Furthur, the Rhythm Devils, Phil Lesh and Friends, RatDog, and Billy & the Kids.
Despite having only one top-40 single in their 30-year career, "Touch of Grey", Grateful Dead remained among the highest-grossing American touring acts for decades. They gained a committed fanbase by word of mouth and through the free exchange of their live recordings, encouraged by the band's allowance of taping. In 2024, they broke the record for most top-40 albums on the Billboard 200 chart. Rolling Stone named Grateful Dead number 57 on its 2011 list of the "100 Greatest Artists of all Time". The band was inducted into the Rock and Roll Hall of Fame in 1994 and a recording of their May 8, 1977 performance at Cornell University's Barton Hall was added to the National Recording Registry of the Library of Congress in 2012.
Wow, hi dad, it's been a long time! Especially since you died 25 years ago. I thought you were the last of a breed, but clearly I was wrong. I'll make sure you get your Pat Boone records back from the attic. btw...having a job, shower, and haircut didn't make you any less of a major asshole. Way to stick to your guns!
Actually, this was from the Wake of the Flood period. Mars Hotel came later.
But you are right, this was Grateful Dead Records 001, their first of three records that were on their own label. Personally, this is my favorite studio album from the band. Certainly Workingman's and American Reality are fine, and both released the same year (!), but this album has always held my fancy, with tunes like Row Jimmy, Weather Report Suite, Mississippi Half-step, among the others.
Cheers,
Wow, hi dad, it's been a long time! Especially since you died 25 years ago. I thought you were the last of a breed, but clearly I was wrong. I'll make sure you get your Pat Boone records back from the attic. btw...having a job, shower, and haircut didn't make you any less of a major asshole. Way to stick to your guns!
Brilliant comeback, dear Buddy. Well done!
mine too.
Can you call me so I can miss it too? I am NOT a Dead fan. I'm guessing they're better live. When you're stoned. And can't remember how boring they were.
PSD! AWAY!!!
This song has about the most positive message of any—one of the most fabulous tunes, IMO.
I've heard plenty of versions, but none better than the one from the Great American Music Hall. Garcia's three solos just grow from one to the next—a most amazing warlock, he was. And I always love when Phil takes his solo at the end.
Those that can hear this music, I say we're blessed.
Great to hear this old nugget.
8
I'm struggling with the physics of this.
nope. worst album cover artwork ever.....Butthole Surfers- Brown Reason To Live.....definitely
Would love to hear Stella Blue from this album added to the playlist.
the only DEAD song i dislike