And hit me with a hand of broken nails.
You tied my lead and pulled my chain
To watch my blood begin to boil.
But I'm gonna break
I'm gonna break my
Gonna break my rusty cage and run.
I'm gonna break
I'm gonna break my
Gonna break my rusty cage and run.
Too cold to start a fire
I'm burning diesel, burning dinosaur bones.
I'll take the river down to still water
And ride a pack of dogs.
I'm gonna break
I'm gonna break my
Gonna break my rusty cage and run.
I'm gonna break
I'm gonna break my
Gonna break my rusty cage and run.
When the forest burns along the road
Like God's eyes in my headlights.
When the dogs are looking for their bones
And it's raining icepicks on your steel shore.
I'm gonna break
I'm gonna break my
I'm gonna break my rusty cage and run.
I'm gonna break
I'm gonna break my
Gonna break my rusty cage and run.
I'm gonna break
I'm gonna break my
Gonna break my rusty cage and run.
I'm gonna break
I'm gonna break my
Gonna break my rusty cage and run.

John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American country singer-songwriter. Most of Cash's music contains themes of sorrow, moral tribulation, and redemption, especially songs from the later stages of his career. He was known for his deep, calm, bass-baritone voice, the distinctive sound of his backing band, The Tennessee Three, that was characterized by its train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, and his free prison concerts. Cash wore a trademark all-black stage wardrobe, which earned him the nickname as the "Man in Black".
Born to poor cotton farmers in Kingsland, Arkansas, Cash grew up on gospel music and played on a local radio station in high school. He served four years in the Air Force, much of it in West Germany. After his return to the United States, he rose to fame during the mid-1950s in the burgeoning rockabilly scene in Memphis, Tennessee. He traditionally began his concerts by introducing himself with "Hello, I'm Johnny Cash". He began to follow that by "Folsom Prison Blues", one of his signature songs. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue", a duet with his future wife June called "Jackson" (followed by many further duets after they married), and railroad songs such as "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, he covered songs by contemporary rock artists; among his most notable covers were "Hurt" by Nine Inch Nails, "Rusty Cage" by Soundgarden, and "Personal Jesus" by Depeche Mode.
Cash is one of the best-selling music artists of all time, having sold more than 90 million records worldwide. His genre-spanning music embraced country, rock and roll, rockabilly, blues, folk, and gospel sounds. This crossover appeal earned him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame. His music career was dramatized in the 2005 biopic Walk the Line, in which Cash was portrayed by American film actor Joaquin Phoenix.
This song is excellent, this photo too❤️
Love the second section, after the short bridge:
"Gonna break my rusty cage... and run".
That, he did. R.I.P.
His worst is still damn good.
Since your from a failed country called Canada, STFU
A country where even children know how to spell a simple word like "you're".
Keep trying there, Einstein.
please stop playing this abomination
Feel free to hit PSD.
the novelty of this version has long worn off and now it just makes me wish Bill would play the original
Yes, the novelty has worn off after 26 years, and all that is left under it is Johnny's phenomenal treatment of what is, in its own right, a seminal song in a
very different genre.
Yeah, I'm pretty sure Johnny Cash didn't just show up and do what some "producer" told him to do. Probably more like he told the producer not to get in the way.
Yeah, what the hell would Rick Rubin know anyway?... Perhaps the stripped down accoustic style that this song was recorded in. That or nothing, I suppose.
How about we check out Rick's own words on the recording of this very song?:
Q: Did you have any strategies you put into play to get him to record something he might not otherwise have wanted to record? Something like Soundgarden’s “Rusty Cage,” for instance?
A: That was one where I had to re-record the song to present it to him, because when he heard the original recording of the song it really terrified him (laughs). He thought it was unrealistic and that I was crazy for suggesting it. But then when I recorded it more the way I imagined him doing it, just as a demo, he really liked it.
I think as time went on, as the trust in our relationship grew from working together and enjoying the work together, if there was a song I really felt strongly about, I might pitch it a bit harder than the typical, “Here are all the songs that I like.” “Hurt” was one of those where I was like, “This really has the potential to be something great. I think it could be a really important song, and I really hope you do it.” But again, if he didn’t like something, then we wouldn’t do it. It’s just that he might have listened a bit closer because of the pitch I made.
I've only known this version, I never heard the original. Same with Hurt.
I love covers that really make a new song out of something great or terrible. Cash's covers are whole new works. Sometimes the cover is so great, the original is the pale imitation. When I hear a cover, I like to find the original and see how it compares. But I also have a whole collection of covers that transform the original into something wholly new.
@oldsaxon: Some more than others. Johnny worked with many different producers, each of which had an effect on the overall sound, yet there's no mistaking that voice or percussive style.
Johnny Cash worked with producer Rick Rubin (known for rap and hard rock) on the album American Recordings:
"For years Cash had often been at odds with his producers after he had discovered with his first producer, Sam Phillips, that his voice was better suited to a stripped-down musical style. Most famously he disagreed with Jack Clement over his sound, Clement having tried to give Cash's songs a "twangy" feel and to add strings and barbershop-quartet-style singers, and his successful collaboration with Rick Rubin was in part due to Rubin seeking a minimalist sound for his songs."
— Wikipedia: American Recordings (album).Cash worked with Rubin again on this album. Your question makes it sound as though Rick Rubin is largely responsible for Johnny Cash's sonic style. In this case Johnny had that style before Rick Rubin was born, but I think it's fair to say that Rick helped him achieve his sonic goals. However it's also fair to say that some producers exert more influence over an artist's sound than others.
Wonderful things happen when talented producers and performers collaborate effectively. Here's a list of influential producers with a sampling of tracks each has produced: 50 Of The Most Influential Producers. Neat list even if you disagree with the rankings.
Excellent info...spent ages reading it thanks for the links. I will agree that it is a colaboration for the best, but often it is the guys on the desk that make the hit...eno, lanois, the list goes on, but without the artist's there just ain't no show. I'll just say now that this is a great song.
Rusty cajun runs... sounds like a something you get during Mardi gras.
I laughed