Is this just fantasy?
Caught in a landslide
No escape from reality
Open your eyes
Look up to the skies and see
I'm just a poor boy, I need no sympathy
Because I'm easy come, easy go
Little high, little low
Anyway the wind blows, doesn't really matter to me
To me
Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, oooooooooo
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on, as if nothing really matters
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye everybody, I've got to go
Gotta leave you all behind and face the truth
Mama, ooooooooooh (Any way the wind blows)
I don't wanna die
I sometimes wish I'd never been born at all
I see a little silhouetto of a man
Scaramouch, scaramouch will you do the Fandango
Thunderbolt and lightning - very very frightening me
Galileo, Galileo
Galileo, Galileo
Galileo figaro
Magnifico (oh, oh, oh, oh!)
I'm just a poor boy, nobody loves me
He's just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come easy go, will you let me go
Bismillah! No, we will not let you go - let him go
Bismillah! We will not let you go - let him go
Bismillah! We will not let you go - let me go
Will not let you go - let me go - (Never, never, never, never, never let me go!)
Will not let you go - let me go, oh, oh, oh, oh -
No, no, no, no, no, no, no -
Oh, Mama Mia, Mama Mia, Mama Mia, let me go -
Beelzebub has a devil put aside for me
For me
For me!
So you think you can stone me and spit in my eye
So you think you can love me and leave me to die
Oh Baby, can't do this to me baby
Just gotta get out, just gotta get right out of here
Ooo, ooo yeah
Ooo yeah
Nothing really matters,
Anyone can see,
Nothing really matters, nothing really matters to me,
Any way the wind blows...

Queen are a British rock band formed in London in 1970 by Freddie Mercury (lead vocals, piano), Brian May (guitar, vocals), and Roger Taylor (drums, vocals), later joined by John Deacon (bass). Their earliest works were influenced by progressive rock, hard rock, and heavy metal, but the band gradually ventured into more conventional and radio-friendly works by incorporating further styles, such as arena rock and pop rock.
Before forming Queen, May and Taylor had played together in the band Smile. Mercury was a fan of Smile and encouraged them to experiment with more elaborate stage and recording techniques. He joined in 1970 and suggested the name "Queen". Deacon was recruited in February 1971, before the band released their self-titled debut album in 1973. Queen first charted in the UK with their second album, Queen II, in 1974. Sheer Heart Attack later that year and A Night at the Opera in 1975 brought them international success. The latter featured "Bohemian Rhapsody", which stayed at number one in the UK for nine weeks and helped popularise the music video format. The band's 1977 album News of the World contained "We Will Rock You" and "We Are the Champions", which have become anthems at sporting events. By the early 1980s, Queen were one of the biggest stadium rock bands in the world. "Another One Bites the Dust" from The Game (1980) became their best-selling single, while their 1981 compilation album Greatest Hits is the best-selling album in the UK and is certified nine times platinum in the US by the Recording Industry Association of America (RIAA). Their performance at the 1985 Live Aid concert is ranked among the greatest in rock history by various publications. In August 1986, Mercury gave his last performance with Queen at Knebworth, England.
Though he kept his condition private, Mercury was diagnosed with AIDS in 1987. The band released two more albums, The Miracle in 1989 and Innuendo in 1991. On 23 November 1991, Mercury publicly revealed that he had AIDS, and the next day died of bronchopneumonia, a complication of AIDS. One more album was released featuring Mercury's vocal, 1995's Made in Heaven. John Deacon retired in 1997, while May and Taylor continued to make sporadic appearances together. Since 2004, they have toured as "Queen +", with vocalists Paul Rodgers and Adam Lambert.
Queen have been a global presence in popular culture for more than half a century. Estimates of their record sales range from 250 million to 300 million, making them one of the world's best-selling music artists. In 1990, Queen received the Brit Award for Outstanding Contribution to British Music. They were inducted into the Rock and Roll Hall of Fame in 2001, and with each member having composed hit singles, all four were inducted into the Songwriters Hall of Fame in 2003. In 2005, they received the Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors, and in 2018 were presented the Grammy Lifetime Achievement Award.
The verb that is in vogue now is "curate." It used to be that curators were those that organized museum exhibits. Now it means anyone who customizes some kind of arrangement.
Like art museum curators, Bill and Rebecca work hard to "curate" a program of eclectic music for our personal enjoyment and education. Part of that experience is the exposure to music that you would not ordinarily listen to; and by carefully organizing and arranging that music it enhances the overall "listener experience". To those with an open mind, hearing old TOP 40 songs carefully interspersed among a wide variety of alternative music allows one to hear music in a different context - to appreciate the music with a different frame of mind, and to hopefully allow you to enjoy that music to its pure form and for the memories and emotions that it conjures.
Anyway, that is why I enjoy the occasional classic former-TOP40 song!
LONDON, ENGLAND Green Day Crowd Singing Bohemian Rhapsody - Hyde Park July 1st, 2017
The Muppets sing Bohemian Rhapsody
an iPhone sings Bohemian Rhapsody
Music was all over the board in the 1970s. Bands were trying to out-create each other. The music was superb!
--Drag a comb across your head? Find your way downstairs and have a cup?
A bit.
He politely stood, listening intently, following along with the lyrics, while I sat, incredulous that he was taking an interest in music that was probably wildly outside his experience (born in '31). Once the track was over, he thanked me and left.
then it was dylans blood on tracks
then grateful dead
then little feat
then led z
then the who
then steely dan
then yes
now...try explaining that to anyone under 50
Fact. This can NEVER be overplayed. It is pure genius, and no better example of a 10+.
Wait, it doesn't go to 11?
Scaramucci, Scaramucci, Will you do the fandango?
Much stronger than most drugs. Really.
scott_bruce wrote:
The verb that is in vogue now is "curate." It used to be that curators were those that organized museum exhibits. Now it means anyone who customizes some kind of arrangement.
... To those with an open mind, hearing old TOP 40 songs carefully interspersed among a wide variety of alternative music allows one to hear music in a different context - to appreciate the music with a different frame of mind, and to hopefully allow you to enjoy that music to its pure form and for the memories and emotions that it conjures.
As with so many RP listeners, who hit the thumbs up button, I love the way scott_bruce puts this.
In an interview in 2004 with Dave Belfer-Shevett of Planet-Geek.com, Bill said:
“[I] spent the 1970s working for a variety of stations in California & Hawaii – mostly of the hippie-underground variety. That’s when I developed my idea of how radio *should* be done: turning a DJ loose in a music library, with no goal in mind but to entertain & educate his (or her) listeners, creating a seamless flow that spanned decades, genres, and styles.”
Like Bill, and many RP listeners, in the mid-60s I would be up late into the night listening to those 50KW top-40 radio stations. At night KOMA blanketed Western North America (I listened to it when I lived in Colorado, and once heard it, "skip distance," on my way to Yellowknife NWT, " in the Canadian North). WKBW likewise blanketed the East, and there were many others. Then came the "hippie underground" approach to programming, as Bill aptly terms it.
I first came across curated radio programming in the late 60s in Montreal. CHOM had a DJ named Doug Pringle who was doing something like what Bill and Rebecca have carried on. Doug would play beautiful, or tasty, (sometimes quirky) musical numbers in combinations that made you stop to figure out the connections. Brilliant! But I thought it had disappeared. Then I found RP.
Does that answer the question about how RP differs from the mainstream?
How is RP any different from mainstream radio at this point?
Mainstream radio doesn't play music this good any more.