I don't do that much talking these days
These days
These days I seem to think a lot about the things that I forgot to do for you
And all the times I had the chance to
And I had a lover
It's so hard to risk another these days
These days
Now if I seem to be afraid to live the life that I have made in song
Well it's just that I've been losing
For so long
Well I'll keep on moving
Moving on
Things are bound to be improving
These days
One of these days
These days I'll sit on cornerstones
And count the time in quarter tones to ten my friend
Don't confront me with my failures
I had not forgotten them

Clyde Jackson Browne (born October 9, 1948) is an American rock musician, singer, songwriter, and political activist who has sold over 18 million albums in the United States.
Emerging as a teenage songwriter in mid-1960s Los Angeles, he had his first successes writing songs for others. He wrote "These Days" as a 16-year-old; the song became a minor hit for the German singer and Andy Warhol protégé Nico in 1967. He also wrote several songs for fellow Southern California bands the Nitty Gritty Dirt Band (of which he was briefly a member in 1966) and Eagles, the latter of whom had their first Billboard Top 40 hit in 1972 with the Browne co-written song "Take It Easy".
Encouraged by his successes writing songs for others, Browne released his self-titled debut album in 1972, which spawned two Top 40 hits of his own, "Doctor, My Eyes" and "Rock Me on the Water". For his debut album, as well as the next several albums and concert tours, Browne started to work closely with The Section, a prolific session band which also worked with a number of other prominent singer-songwriters of the era. His second album, For Everyman, was released in 1973. While it lacked an enduring single, it has been retrospectively assessed as some of his best work, appearing highly on several "Best Album of All Time" lists. His third album, Late for the Sky (1974), was his most successful to that point, peaking at number 14 on the Billboard 200 album chart. His fourth album, The Pretender (1976), continued the pattern of each album topping the previous by peaking at number 5 on the album chart, and spawned the hit singles "Here Come Those Tears Again" and "The Pretender".
Browne's 1977 album Running on Empty, however, is his signature work; it rose to number 3 on the album chart and remained there for over a year. Both live and a concept album, it explores in its songs the themes of life as a touring musician, and the album was recorded both on stage and in places touring musicians spend time when not playing, such as hotel rooms, backstage, and in one case on a moving tour bus. The album produced two Top 40 singles, "Running on Empty" and "The Load-Out/Stay", and many of the other tracks became popular radio hits on the AOR format.
Browne had successful albums through the 1980s, including the 1980 album Hold Out, which was his only number 1 album; the non-album single "Somebody's Baby", which was used in the film Fast Times at Ridgemont High, and 1983's Lawyers in Love, which included the hit single "Tender Is the Night". In 1986, he released Lives in the Balance, which had several radio hits and included the introspective "In the Shape of a Heart", which was inspired by the suicide of his first wife a decade prior. His string of hit albums came to an end at that point, as his next several albums failed to produce a gold or platinum RIAA rating.
He released two compilation albums, The Next Voice You Hear: The Best of Jackson Browne in 1997, and The Very Best of Jackson Browne, released in conjunction with his Rock and Roll Hall of Fame induction in 2004. His most recent studio album is 2021's Downhill from Everywhere, the follow-up to 2014's Standing in the Breach, which included the first fully realized version of his song "The Birds of St. Marks", a song he had written at age 18. In 2015, Rolling Stone ranked him as 37th in its list of the "100 Greatest Songwriters of All Time".
ardent_supperter wrote:
Looking through some photographs
I found inside a drawer
I was taken by a photograph of you
There were one or two I know that
You would have liked a little more
But they didn't show your spirit quite as true
You were turning 'round to see who was behind you
And I took your childish laughter by surprise
And at the moment that my camera happened to find you
There was just a trace of sorrow in your eyes
This is from Fountain of Sorrow, Late for the Sky album
Almost any cover version of a JB song is going to be better than the JB version.
Almost any reply to a trevc comment is going to be better than the trevc comment.
clap clap & clap some more.
Don't confront me with my failures
I had not forgotten them
Such a precocious talent. One of my all-time favourite songwriters - and please stop posting the Darryl Hannah non-story.
Don't confront me with my failures
I had not forgotten them
Back when albums were cohesive, works of art.
Repent fool.
It's a pleasant memory now, despite being a deeply sorrowful night at the time.
One of the greats!
Gregg Allman's version has deeper soul...and he changed the line to "Please don't confront me with my failures, I'm aware of them". Puts better spin on the ball.
Greg Allman's change ruins the rhythm of the line. There's additional poignancy in Browne's 'had not forgotten' over 'aware of'. Plus Jackson's a better singer.
One of the greats!
When I moved from the East Coast (New York/New Jersey) to the West Coast (San Francisco/Northern California) in 1976, I saw Jackson Browne perform live 5 times, once in each of my first 5 years living in California. Most people know him for his songwriting and his early albums, but he was also a great live performer. One of those concerts was his legendary performance at the beautiful art deco 1929 Paramount Theater in downtown Oakland. You can find on YouTube the part of that show where, during a quiet moment between songs, a guy from the audience yelled out "drop your pants!", and Jackson proceeded to do just that, with his guitar covering his crotch. Of course the audience went wild, and the rest of the concert was more loose and intimate than it had already been up to that point.