I hear a voice cry out
We want something good
Well come on a little closer let me see your face
Yeah come on a little closer by the front of the stage
I said come on a little closer I got something to say
Yeah come on a little closer wanna see your face
You see I met a devil named buena buena
And since I met the devil I ain't been the same, oh no
And I feel alright now I have to tell you
I think it's time for me to finally introduce you to the
Buena buena buena buena good good girl
It's comin' to me
Yeah it's comin' to me
Now I think I know
What it is you need
I know some people wanna make a change
But I know how to make it go away
You see I met a devil named buena buena
And since I met the devil I ain't been the same, oh no
And I feel alright I have to tell you
I think it's time for me to finally introduce you to the
Buena buena buena buena good good girl

Morphine was an American rock band formed by Mark Sandman, Dana Colley, and Jerome Deupree in Cambridge, Massachusetts, in 1989. Drummer Billy Conway replaced Deupree as the band's live drummer in 1991. Deupree recorded the album Cure For Pain, with the exception of the title track which was recorded by Conway, before being permanently replaced by Conway in 1993. Both drummers appeared together during a 15 date US tour in March of 1999. After five successful albums and extensive touring, they disbanded after lead vocalist Sandman died of a heart attack onstage in Palestrina, Italy, on July 3, 1999. Founding members have reformed into the band Vapors of Morphine, maintaining much of the original style and sound.
The band used an idiosyncratic set of instruments and combined blues and jazz elements with more traditional rock arrangements, which gave it an unusual and original sound. The instruments mainly consisted of baritone saxophone (played by Colley), two-string bass (played by Sandman), and drums. Sandman sang distinctively in a "deep, laid-back croon", and his songwriting featured a prominent beat influence. The band themselves coined the label "low rock" to describe their music, which involved "a minimalist, low-end sound that could have easily become a gimmick: a 'power trio' not built around the sound of an electric guitar. Instead, Morphine expanded its offbeat vocabulary on each album."
The band enjoyed positive critical appraisal, but met with mixed results commercially. In the United States the band was embraced and promoted by the indie rock community, including public and college radio stations and MTV's 120 Minutes, which the band once guest-hosted, but received little support from commercial rock radio and other music television programs. This limited their mainstream exposure and support in their home country, while internationally they enjoyed high-profile success, especially in Belgium, Russia, Portugal, France and Australia.
If I had one wish, it would be that no one would ever complain about this song or that song being overplayed on Radio Paradise. Stop whining already.
don't forget the drumming!
& when UR NOT it still is a sassy Number!
Sometimes the mix is impossible haha, like the one from the Putumayo Turkish song right before this jam,
And it works!
Peace and Love
it's rare in the realm high pitched, screaming, pop music that a band like this can make such a bitchen sound with all low pitched instrumentationđŸ˜ˆđŸ˜ˆđŸ˜ˆBuena Buena!!
Even cooler was that it was done with a two string bass. Gives new meaning to rhythm.
The contrast between the low growl of the slide bass at the start of this track and the impossibly smooth tenor sax of the album opener just before it (Dawna) is masterful.
yes, i can't hear one without the other...
I had the privilege of seeing Morphine twice. The 1990s were a great decade.
Same! I saw so many great shows in the 90s. In fact, in one 3 night span I saw Elvis Costello & Imposters (with Crash Test Dummies), Soundgarden and Tori Amos. Talk about eclectic!
Whoops down voted by accident, I am sure its a thing. Your post is perfectly the on point best ever and seriously. I love that guy/song.