I really had things in my hand
But something went wrong I'm not sure what
And now I'm sitting here at home alone
People they want to give you free advice
Well that's something that I always try
But you get what you pay for that's what I say
And now I'm paying and paying and paying
I lost everything I had
I'm starting over from scratch
I lost everything I had
I'm starting over from scratch
Everything I wanted cooking on the stove
Everything I needed right in the home
I had the best thing you can have
You can have it you can have it now
I lost everything I had
I'm starting over from scratch
I lost everything I had
I'm starting over from scratch
It's just a fact
Wiped that smile off my face
Put me down in my proper place
But the world just keeps on spinning around
And I'm still hanging around in this world
I lost everything I had
I'm starting over from scratch
I lost everything I had
I'm starting over from scratch

Morphine was an American rock band formed by Mark Sandman, Dana Colley, and Jerome Deupree in Cambridge, Massachusetts, in 1989. Drummer Billy Conway replaced Deupree as the band's live drummer in 1991. Deupree recorded the album Cure For Pain, with the exception of the title track which was recorded by Conway, before being permanently replaced by Conway in 1993. Both drummers appeared together during a 15 date US tour in March of 1999. After five successful albums and extensive touring, they disbanded after lead vocalist Sandman died of a heart attack onstage in Palestrina, Italy, on July 3, 1999. Founding members have reformed into the band Vapors of Morphine, maintaining much of the original style and sound.
The band used an idiosyncratic set of instruments and combined blues and jazz elements with more traditional rock arrangements, which gave it an unusual and original sound. The instruments mainly consisted of baritone saxophone (played by Colley), two-string bass (played by Sandman), and drums. Sandman sang distinctively in a "deep, laid-back croon", and his songwriting featured a prominent beat influence. The band themselves coined the label "low rock" to describe their music, which involved "a minimalist, low-end sound that could have easily become a gimmick: a 'power trio' not built around the sound of an electric guitar. Instead, Morphine expanded its offbeat vocabulary on each album."
The band enjoyed positive critical appraisal, but met with mixed results commercially. In the United States the band was embraced and promoted by the indie rock community, including public and college radio stations and MTV's 120 Minutes, which the band once guest-hosted, but received little support from commercial rock radio and other music television programs. This limited their mainstream exposure and support in their home country, while internationally they enjoyed high-profile success, especially in Belgium, Russia, Portugal, France and Australia.
Does any other band use baritone saxes, anyone know? They really do generate one viscera-rumbling sound. Without them this would be a decent enough but ordinary band.
Bass Sax in this case. Early recording bands in the days before electric microphones used either the bass sax or the baritone sax and many times the tuba for the bass line — if they really had to "go low" they would use the Double Contra-Bass Sarrousophone. The string bass put out too many vibrations and the old mechanical disc cutting machines (with sound horns, not mics) would jump off the tracks. They had the same problem with drums, which is why a lot of the really early recordings you could hear a snare drum or floor tom but no bass drum. My dad (Zebe Mann) recorded with Hank Halstead and Paul Whiteman and other bands in the days before electric mics and when "Jazz" bands were called "Jass Bands" (because the word "Jazz" was a slang term in the "Negro Culture" for sexual intercourse. So, when you come across a one-sided 10" record you will know it was a pre-electric recording — one-sides were right after the revolving cylinder which also used an acoustic horn for amplification. I could go on with this, but details are on Wikipedia where I wrote a lot of these arcane details. Speaking of the Sarrousophone, if you find one down in grandpa's basement, hold on to it — they haven't made one since about 1925, although you can make a close approximation from some 4" diameter PVC drain pipe and an air compressor.
https://en.wikipedia.org/wiki/Sarrusophone
https://en.wikipedia.org/wiki/Edison_Disc_Record
https://en.wikipedia.org/wiki/Henry_Halstead
This is me in my life right now… I lost everything I had - I am starting over from scratch at 54! It feels pretty good to be honest.
Good luck! I wish you well! ...Keep us informed!
Discovered Morphine several years ago right here on RP - THANKS Bill!! - and what a great sound they have.
Muddy Waters — Rollin' and Tumblin'
Allman Brothers — Stormy Monday
I'm going to hit PSD and hope to travel that worm hole the other way around.
Good luck on your journey!
This is one of Morphine's best songs to my ears. It defines a slice of Boston for me. A great, great segue from Allman Brothers' Live at Fillmore East "Stormy Monday" to this...