
She's the only one I got
Not much of a girlfriend
Never seem to get a lot
Take a jumbo across the water
Like to see America
See the girls in California
I'm hoping it's going to come true
But there's not a lot I can do, hey
Could we have kippers for breakfast
Mummy dear, Mummy dear?
They gotta have 'em in Texas
'Cause everyone's a millionaire
I'm a winner, I'm a sinner
Do you want my autograph?
I'm a loser, what a joker
I'm playing my jokes upon you
While there's nothing better to do, hey
Ba-ba da-dum, ba-ba bow-da d-dow da-dow da-dow, eh
Ba-ba da-dum, ba-ba bow-da d-dow da-dow da-dow
La la la, la-la la, la la la-la
Don't you look at my girlfriend (''Girlfriend'')
She's the only one I got
Not much of a girlfriend (''Girlfriend'')
Never seem to get a lot (''What you got? Not a lot'')
Take a jumbo across the water
Like to see America
See the girls in California
I'm hoping it's going to come true
But there's not a lot I can do, hey
Ba-ba da-dum, bow-ba dow-da d-dow da-dow da-dow, eh
Ba-ba da-dum, bow-ba da-da dow da-dow da-dow, eh
Hey uhm-um, hey uhm-um, hey uhm-um, hey uhm-um
Hey uhm-um, hey uhm-um, hey uhm-um, hey uhm-um
La la la, la-la la, la la la-la

Supertramp were a British rock band that formed in London in 1970. They experienced their greatest global success in 1979 with their sixth album Breakfast in America. Marked by the individual songwriting of founders Roger Hodgson (vocals, keyboards and guitars) and Rick Davies (vocals and keyboards), the group were distinguished for blending progressive rock and pop styles as well as for a sound that relied heavily on Wurlitzer electric piano. The group's lineup changed numerous times throughout their career, with Davies being the only constant member throughout its history. The classic lineup, which lasted ten years from 1973 to 1983, comprised Davies, Hodgson, Dougie Thomson (bass), Bob Siebenberg (drums) and John Helliwell (saxophone).
Initially a prog-rock group, they began moving towards a more pop-oriented sound with their third album, Crime of the Century (1974), the first album with the classic lineup. The band reached their commercial peak with 1979's Breakfast in America, which yielded the international top 10 singles "The Logical Song", "Breakfast in America", "Goodbye Stranger" and "Take the Long Way Home". Their other top 40 hits included "Dreamer" (1974), "Give a Little Bit" (1977) and "It's Raining Again" (1982). In 1983, Hodgson left the group to pursue a solo career. The band continued with Davies as the sole leader until 1988, after which they disbanded and periodically reformed in various configurations.
As of 2007, Supertramp album sales exceeded 60 million. They attained significant popularity in North America, Europe, South Africa and Australia. Their highest sales levels were in Canada, where they had two diamond-certified (ten-times platinum) albums (Crime of the Century and Breakfast in America), and their only number 1 singles anywhere ("The Logical Song" and "Dreamer").
Indeed!
PROOF
Great try but since Supertramp are Brits they would refer to it as 11/9.
Some days I'm just a little slow on the uptake. 37 years of looking at that cover art and I just now noticed it's a take off on the Statue of Liberty.
I just accepted it as the iconic American waitress in a diner. You know "Welcome to America! What'll you have sweetie?"
God ! I never realized that before either !
PROOF
It's still pretty early, but that's the dumbest thing I've read today. Possibly this year. Maybe ever.
Going into high school that september, damn i feel old
https://pbs.twimg.com/media/E9...
Some days I'm just a little slow on the uptake. 37 years of looking at that cover art and I just now noticed it's a take off on the Statue of Liberty.
I just accepted it as the iconic American waitress in a diner. You know "Welcome to America! What'll you have sweetie?"
In deed! I'm married to a super Super Tramp fan, she's always said something similar about how odd they weren't bigger.
I think this song's OK,though it gets a bump for being ST...call it an 8...LLRP!
It's one of my favorite all-time album covers. You can't really tell from this photo above, which is fuzzy, but the "buildings" in lower Manhattan are all kitchen items. There are salt and pepper shakers, an egg carton, a stack of coffee cups, and a sugar bin. The piers are actually forks and knives.
So sad to hear about your Libby, she has such a great expression.
Good music, even when it escapes the limitations of esotericism and becomes something revered by the masses is still good music.
This song, like many Supertramp songs features social commentary, self-effacing humor, excellent harmony, unique orchestrations and proper 1970s, (bombastic and over-the-top), production and engineering.
So what if other people like it, or it's the most popular cut off their most popular album? Radiohead has Creep, Tool has Sober, Nine-Inch-Nails has Closer, Coldplay has... a lot of crap songs that people like for some reason. But you get my point anyway.
Rock on with the occasional blockbuster, Bill and Rebecca! There is still a lot of greatness left in these songs!
"The waitress who appeared on the cover of Supertramp's Breakfast in America (1979) - album is 95 years old on this picture - great icon!!"
https://pbs.twimg.com/media/E9...
She recently passed away. May she Rest In Peace!
I'd like to disagree on the albums comment for the benefit of others who might be reading.
Crime of the Century : some very fine songs on here. Rudy, Asylum, If everyone was listening. These are simply outstanding tracks. They've got drama, symphonic orchestration, depth and a great sound
Crisis? What Crisis? : A Soapbox Opera, sister moonshine, stand out from my memory
Even in the Quietest Moments : Babaji, Fool's Overture.
Indelibly stamped : Rosie Had Everything Planned - wow! (great melody, and great lyrics too). Aries - I challenge anyone to put aries on loud and not want to hear it again and again.
Those 4 albums for me (for starters) put Supertramp in a league well above most of their contemporaries, and those that came after. It's a shame that they don't get more play.
With you all the way on this, sadly, BIA was a sad end to an otherwise brilliant set of albums. I remember seeing them in an open air stadium just as the sun set...grey-purple sky, a flock of hundreds of starlings circling like a school of fish above the crowd. They opened with "school"....that harmonica....just spine tinglingly good.