Oh maybellene, why can't you be true?
You've started back doing the things you used to do.
As I was motivatin' over the hill
I saw maybellene in a coup de ville.
A cadillac a-rollin' on the open road,
Nothin' will outrun my v8 ford.
The cadillac doin' 'bout ninety-five,
She's bumper to bumber rollin' side by side.
Maybellene, why can't you be true?
Oh maybellene, why can't you be true?
You've started back doing the things you used to do.
Pink in the mirror on top of the hill,
It's just like swallowin' up a medicine pill.
First thing I saw that cadillac grille
Doin' a hundred and ten gallopin' over that hill.
Offhill curve, a downhill strecth,
Me and that cadillac neck by neck.
Maybellene, why can't you be true?
Oh maybellene, why can't you be true?
You've started back doing the things you used to do.
The cadillac pulled up ahead of the ford,
The ford got hot and wouldn't do no more.
It then got clody and it started to rain,
I tooted my horn for a passin' lead
The rain water blowin' all under my hood,
I knew that was doin' my motor good.
Maybellene, why can't you be true?
Oh maybellene, why can't you be true?
You've started back doing the things you used to do.
The motor cooled down, the heat went down
And that's when I heard that highway sound.
The cadillac a-sittin' like a ton of lead
A hundred and ten a half a mile ahead.
The cadillac lookin' like it's sittin' still
And I caught maybellene at the top of the hill.
Maybellene, why can't you be true?
Oh maybellene, why can't you be true?
You've started back doing the things you used to do.

Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, guitarist and songwriter who pioneered rock and roll. Nicknamed the "Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957), and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.
Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of the blues musician T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955 and met Muddy Waters, who suggested he contact Leonard Chess, of Chess Records. With Chess, he recorded "Maybellene"—Berry's adaptation of the country song "Ida Red"—which sold over a million copies, reaching number one on Billboard magazine's rhythm and blues chart.
By the end of the 1950s, Berry was an established star, with several hit records and film appearances and a lucrative touring career. He had also established his own St. Louis nightclub, Berry's Club Bandstand. He was sentenced to three years in prison in January 1962 for offenses under the Mann Act—he had transported a 14-year-old girl across state lines for the purpose of having sexual intercourse. After his release in 1963, Berry had several more successful songs, including "No Particular Place to Go", "You Never Can Tell", and "Nadine". However, these did not achieve the same success or lasting impact of his 1950s songs, and by the 1970s he was more in demand as a nostalgia performer, playing his past material with local backup bands of variable quality. In 1972, he reached a new level of achievement when a rendition of "My Ding-a-Ling" became his only record to top the charts. His insistence on being paid in cash led in 1979 to a four-month jail sentence and community service, for tax evasion.
Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986; he was cited for having "laid the groundwork for not only a rock and roll sound but a rock and roll stance." Berry is included in several of Rolling Stone magazine's "greatest of all time" lists; he was ranked fifth on its 2004 and 2011 lists of the 100 Greatest Artists of All Time and 2nd greatest guitarist of all time in 2023. The Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll includes three of Berry's: "Johnny B. Goode", "Maybellene", and "Rock and Roll Music". "Johnny B. Goode" is the only rock-and-roll song included on the Voyager Golden Record.
What I mean when I say "deep debt" is that what he brought to American culture, especially rock'n'roll, was an unapologetic originality, energy, and sexuality that IMHO The Man never forgave him for. At the height of his ascendancy, he was railroaded into prison on a trumped up charge under the Mann Act—a dubious and odious piece of "legislation" as there ever was—because they just couldn't stand that a black man, a very black man, could move their children like no white pop star, save Elvis, who was railroaded into the army before he could inflict further damage on their children. Berry knew better. He never, ever once apologized for who he was, what he wrote and sang about, or what his hordes of followers loved. IMHO his biggest hit, "My Ding-a-Ling," was a bitter, ironic commentary on his treatment by the establishment in general and record companies in particular, one in which he took a measure of sad satisfaction. But before that slice of cheese, there were "Maybelline," "Johnny B. Goode," "Sweet Little Sixteen," "Roll Over Beethoven," "Nadine," "Rock and Roll Music," "No Particular Place to Go," and "Little Queenie," among many, many others—all comprising a canon of rock standards that have been little seen before or since. (Ah, yes, you say The Beatles and the Rolling Stones—but look how many Berry hits found there way into their songbooks...)
I doff me hat to Chuck Berry, his music, his enormous contribution to our musical heritage, and mostly the anger he brought to rock'n'roll. Long may it wave.
Get with the plan, Chuck.
Meanwhile....I'm still thinkin,
Also needs more auto-tune. And maybe also some more cowbell.
HAIL, HAIL - to HIS MAJESTY, the KING ~
ROCK and ROLL defined.
Chuck Berry is THE King of Rock n Roll - sheer artistic brilliance.
Tony Jory
London
England
PS. I seem to remember that this sentiment has been seconded by The Beatles, The Stones, The Beach Boys, Oasis, Blur, Clapton et al.
I weep for you. (Not really.)
Is it me or did this track degrade in quality right before the third chorus and then regain quality?
YEP! FLAC does not improve this tune! It was 1958. GREAT TUNE!!!
ROCK and ROLL defined.
Thank goodness that cousin Marvin was there to hear Marty McFly play at the "Under the Seas" dance.
Get with the plan, Chuck.
Meanwhile....I'm still thinkin,
Rock In Peace, Mr. Berry.
c.
Everyone here at Fonzie's loves this song. We be jumping and jivin'!
ummmm....complete lack of taste and understanding about the history and influencers of Rock and Roll?
Is it me or did this track degrade in quality right before the third chorus and then regain quality?
c.
Sadly both, expatlar, and utter blasphemy as well.