I wanna see your smiling face before the new day begins
You'll never know what it means
To see the sunlight in your hair and dancing everywhere
I wanna shout about it
But I keep quiet about it
I wanna laugh about it
But I don't joke about it
I wanna live without it
But I can't do without it
I'm someone's daughter
Are you somebody's son?
Can I ease your pain till the morning comes
I'm no one's daughter
I belong to the sun
Gonna ease your mind till the morning comes
Keep looking for the reason
High and low to let it go
Keep losing my mind
Looking for the peace that I just don't find
I wanna know how it feels
To be the sunlight in your hair and dancing everywhere
I wanna shout about it
But I keep quiet about it
I wanna laugh about it
But I don't joke about it
I wanna live without it
But I can't do without it
I'm someone's daughter
Are you somebody's son?
Can I ease your pain till the morning comes
I'm no one's daughter
I belong to the sun
Gonna ease your mind 'til the morning comes

Elizabeth Caroline Orton (born 14 December 1970) is an English musician, known for her "folktronica" sound, which mixes elements of folk and electronica. She was initially recognised for her collaborations with William Orbit, Andrew Weatherall, Red Snapper and the Chemical Brothers in the mid-1990s. Her UK/US first solo album, Trailer Park, received much critical acclaim in 1996. Orton developed a devoted audience with the release of the BRIT Award-winning album Central Reservation (1999) and the 2002 UK top 10 album, Daybreaker. Her 2006 album, Comfort of Strangers, was followed by a break during which Orton gave birth to her daughter and collaborated with the British guitarist Bert Jansch. Orton returned with Sugaring Season in 2012, which moved towards a purer acoustic sound, followed by a return to electronic music with Kidsticks, released in 2016.
Orton's music has been featured in the movies How to Deal and Vanilla Sky, and also in the TV series Felicity, Charmed, Dawson's Creek, Roswell, Grey's Anatomy and Manifest, providing her with exposure to a more mainstream American audience.