
And everybody's a star
And everybody's in movies
It doesn't matter who you are
There are stars in every city
In every house and on every street
And if you walk down Hollywood Boulevard
Their names are written in concrete
Don't step on Greta Garbo
As you walk down the boulevard
She looks so weak and fragile
That's why she tried to be so hard
But they turned her into a princess
And they sat her on a throne
But she turned her back on stardom
Because she wanted to be alone
You can see all the stars as you walk down Hollywood Boulevard
Some that you recognise, some that you've hardly even heard of
People who worked and suffered and struggled for fame
Some who succeeded and some who suffered in vain
Rudolph Valentino
Looks very much alive
And he looks up ladies' dresses
As they sadly pass him by
Avoid stepping on Bela Lugosi
'Cause he's liable to turn and bite
But stand close by Bette Davis
Because hers was such a lonely life
If you covered him with garbage
George Sanders would still have style
And if you stamped on Mickey Rooney
He would still turn 'round and smile
But please don't tread on dearest Marilyn
'Cause she's not very tough
She should have been made of iron or steel
But she was only made of flesh and blood
You can see all the stars as you walk down Hollywood Boulevard
Some that you recognise, some that you've hardly even heard of
People who worked and suffered and struggled for fame
Some who succeeded and some who suffered in vain
Everybody's a dreamer
And everybody's a star
And everybody's in show-biz
It doesn't matter who you are
And those who are successful
Be always on your guard
Success walks hand in hand with failure
Along Hollywood Boulevard
I wish my life was a non-stop Hollywood movie show
A fantasy world of celluloid villains and heroes
'Cause celluloid heroes never feel any pain
And celluloid heroes never really die
You can see all the stars as you walk along Hollywood Boulevard
Some that you recognise, some that you've hardly even heard of
People who worked and suffered and struggled for fame
Some who succeeded and some who suffered in vain
La la la la, la la la la la la la la la
La la la la, la la la la la la la la la
Oh, celluloid heroes never feel any pain
Oh, celluloid heroes never really die
I wish my life was a non-stop Hollywood movie show
A fantasy world of celluloid villains and heroes
Because celluloid heroes never feel any pain
And celluloid heroes never really die

The Kinks were an English rock band formed in London in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational and satirical writing style, and made apparent in albums such as Face to Face (1966), Something Else (1967), The Village Green Preservation Society (1968), Arthur (1969), Lola Versus Powerman (1970), and Muswell Hillbillies (1971), along with their accompanying singles including the transatlantic hit "Lola" (1970). After a fallow period in the mid-1970s, the band experienced a revival with their albums Sleepwalker (1977), Misfits (1978), Low Budget (1979), Give the People What They Want (1981) and State of Confusion (1983), the last of which produced one of the band's most successful US hits, "Come Dancing". In addition, groups such as Van Halen, the Jam, the Knack, the Pretenders and the Romantics covered their songs, helping to boost the Kinks' record sales. In the 1990s, Britpop acts such as Blur and Oasis cited the band as a major influence.
The original line-up comprised Ray Davies (lead vocals, rhythm guitar), Dave Davies (lead guitar, vocals), Mick Avory (drums, percussion) and Pete Quaife (bass). The Davies brothers remained with the band throughout its history. Quaife briefly left the band during 1966 and was replaced by John Dalton, though Quaife returned by the end of that year before leaving permanently in 1969, once again being replaced by Dalton. Keyboardist John Gosling was added in 1970 (prior to this, session keyboardist Nicky Hopkins played on many of their recordings). After Dalton's 1976 departure, Andy Pyle briefly served as the band's bassist before being replaced by Argent bassist Jim Rodford in 1978. Gosling quit in 1978 and was first replaced by ex-Pretty Things member Gordon John Edwards, then more permanently by Ian Gibbons in 1979. Avory left the group in 1984 and was replaced by another Argent member, Bob Henrit. The band gave its last public performance in 1996 and broke up in 1997 as a result of creative tension between the Davies brothers.
The Kinks have had five Top 10 singles on the US Billboard Hot 100. chart. Nine of their albums charted in the Top 40 of the Billboard 200. In the UK, they have had seventeen Top 20 singles and five Top 10 albums. Four Kinks albums have been certified Gold by the Recording Industry Association of America (RIAA), and the band has sold over 50 million records worldwide. Among numerous honours, they received the Ivor Novello Award for "Outstanding Service to British Music". In 1990, the original four members of the Kinks were inducted into the Rock and Roll Hall of Fame, as well as the UK Music Hall of Fame in November 2005.