In the usual place
With the tired and weary
And there's no escape
To need a woman
You've got to know
How the strong get weak
And the rich get poor
Slave to love
Slave to love
You're running with me
Don't touch the ground
We're restless hearted
Not the chained and bound
The sky is burning
A sea of flame
Though your world is changing
I will be the same
Slave to love
Slave to love
Slave to love
Slave to love
And I can't escape
I'm a slave to love
The storm is breaking
Or so it seems
We're too young to reason
Too grown up to dream
Now spring is turning
Your face to mine
I can hear your laughter
I can see your smile
Slave to love
Slave to love
And I can't escape
I'm a slave to love
Slave to love
Slave to love
And I can't escape
I'm a slave to love
Slave to love
And I can't escape
I'm a slave to love
Slave to love
And I can't escape
I'm a slave to love
Slave to love
And I can't escape
I'm a slave to love

Bryan Ferry (born 26 September 1945) is an English singer and songwriter who achieved fame as the frontman of the band Roxy Music and as a solo artist. His distinctive voice has been described as an "elegant, seductive croon". He also established a distinctive image and sartorial style: according to The Independent, Ferry and his contemporary David Bowie influenced a generation with both their music and their appearances. Peter York described Ferry as "an art object" who "should hang in the Tate".
Born to a working-class family, Ferry studied fine art and taught at a secondary school before pursuing a career in music. In 1970 he began to assemble Roxy Music with a group of friends and acquaintances in London, and took the role of lead singer and main songwriter. The band achieved immediate international success with the release of their eponymous debut album in 1972, containing a rich multitude of sounds, which reflected Ferry's interest in exploring different genres of music. Their second album, For Your Pleasure (1973), further cultivated the band's unique sound and visual image that would establish Ferry as a leading cultural icon over the next decade.
Ferry began a parallel solo career in 1973 by releasing These Foolish Things, which popularized the concept of a contemporary musician releasing an album covering standard songs and was a drastic departure from his ongoing work with Roxy Music. His second album, Another Time, Another Place (1974), featured as its cover image Ferry posing by a pool in a white dinner jacket and represented one of his most impactful fashion statements. Over the next two years, Roxy Music released a trilogy of albums, Stranded (1973), Country Life (1974) and Siren (1975), which broadened the band's appeal internationally and saw Ferry take greater interest in the role of a live performer, reinventing himself in stage costumes ranging from gaucho to military uniforms. In 1983, following the release of their best-selling album Avalon the previous year, Ferry disbanded Roxy Music to concentrate on his solo career, with his next album, 1985's Boys and Girls, reaching No. 1 in the UK and featuring the hit singles "Slave to Love" and "Don't Stop the Dance", while the follow up album Bête Noire went Top 10 in the UK in 1987
As well as being a prolific songwriter, Ferry has recorded many cover versions, including standards from the Great American Songbook, in albums such as These Foolish Things (1973), Another Time, Another Place (1974), Let's Stick Together (1976), Taxi (1993) and As Time Goes By (1999), as well as Dylanesque (2007), an album of Bob Dylan covers. Including his work with Roxy Music, Ferry has sold over 30 million albums worldwide. In 2019, Ferry was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
If there's "nothing wrong with that", and you can't believe that the actual song has a sexual preference, then why do you use "gay" as a pejorative?
Idiot.
Yes, please.
Brings back many memories.
Beautiful song.
Such smooth, polished style.
I Agree!!
Its not the reference to gayness, but the display of ignorance that confounds me.
If there's "nothing wrong with that", and you can't believe that the actual song has a sexual preference, then why do you use "gay" as a pejorative?
Idiot.
is it a pejorative?
This is a beautiful song!!
Perhaps this should be followed by 'Men Without Hats' - 'Safety Dance'?
Because it always sounded like 'Safe To Dance' (to me anyway...)
yes, i am talking to myself here...