
If I have to go
You'll be thinking of me
Somehow I will know
Someday when I'm lonely
Wishing you weren't so far away
Then I will remember
Things we said today
You say you'll be mine, girl
Till the end of time
These days such a kind girl
Seems so hard to find
Someday when we're dreaming
Deep in love, not a lot to say
Then we will remember
Things we said today
Me, I'm just the lucky kind
Love to hear you say that love is love
And though we may be blind
Love is here to stay and that's enough
To make you mine, girl
Be the only one
Love me all the time, girl
We'll go on and on
Some day when we're dreaming
Deep in love not a lot to say
Then we will remember
Things we said today
Me, I'm just the lucky kind
Love to hear you say that love is love
And though we may be blind
Love is here to stay and that's enough
To make you mine, girl
Be the only one
Love me all the time, girl
We'll go on and on
Some day when we're dreaming
Deep in love, not a lot to say
Then we will remember
Things we said today

The Beatles were an English rock band formed in Liverpool in 1960, comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the development of 1960s counterculture and the recognition of popular music as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways. The band also explored music styles ranging from folk and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionized many aspects of the music industry and were often publicized as leaders of the era's youth and sociocultural movements.
Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation by playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before inviting Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after they signed with EMI Records and achieved their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four". Epstein, Martin or another member of the band's entourage was sometimes informally referred to as a "fifth Beatle".
By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market. They soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the challenging nature of their concert tours, led to the band's retirement from live performances in 1966. During this time, they produced albums of greater sophistication, including Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967). They enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). The success of these records heralded the album era, as albums became the dominant form of record use over singles. These records also increased public interest in psychedelic drugs and Eastern spirituality and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal former members enjoyed success as solo artists, and some partial reunions have occurred. Lennon was murdered in 1980, and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active.
The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide. They are the most successful act in the history of the US Billboard charts, holding the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the US Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in their first year of eligibility, 1988, and each principal member was individually inducted between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people.
The Beatles were terrible musicians.
“They were the worst musicians in the world. They were no-playing motherf—ers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, ‘Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.’ So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, ‘George, can you play it back for me one more time?’ So George did, and Ringo says, ‘That didn’t sound so bad.’ And I said, ‘Yeah, motherf—er because it ain’t you.’ Great guy, though.
Yeah. And how many times did that happen? Was QJ at every recording session? And...I'm not aware that Mr. Jones's protege Michael Jackson played any instrument whatsoever other than his vocal chords and his dancing body. Perhaps Jones might have acknowledged that after this passive aggressive babble.
Maybe it's true that separately the Fabs were not Juilliard geniuses (except that Lennon and McCartney each played several instruments), I don't know, but together their blend seems to tell a very different story. It's highly unlikely they would ever have become stellar tunesmiths and melody masters with low-end musical talent.
A piece of a 2/7 Variety interview with Quincy Jones reveals he had/has little musical respect for the Fabs
The Beatles were terrible musicians.
“They were the worst musicians in the world. They were no-playing motherf—ers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, ‘Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.’ So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, ‘George, can you play it back for me one more time?’ So George did, and Ringo says, ‘That didn’t sound so bad.’ And I said, ‘Yeah, motherf—er because it ain’t you.’ Great guy, though.
No disrespect but... who cares really?
The Beatles were terrible musicians.
“They were the worst musicians in the world. They were no-playing motherf—ers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, ‘Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.’ So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, ‘George, can you play it back for me one more time?’ So George did, and Ringo says, ‘That didn’t sound so bad.’ And I said, ‘Yeah, motherf—er because it ain’t you.’ Great guy, though.
Quincy came from jazz so he may have been dismissive of pop/rock.
Great producer but beyond "Killer Joe", what else did he write? Maybe he was jealous about how prolific the Beatles were with their high quality songwriting. Two of the greatest songwriters of the 20th century and the 3rd guy would have been the main songwriter in almost any other band.
Yeah. And how many times did that happen? Was QJ at every recording session? And...I'm not aware that Mr. Jones's protege Michael Jackson played any instrument whatsoever other than his vocal chords and his dancing body. Perhaps Jones might have acknowledged that after this passive aggressive babble.
Maybe it's true that separately the Fabs were not Juilliard geniuses (except that Lennon and McCartney each played several instruments), I don't know, but together their blend seems to tell a very different story. It's highly unlikely they would ever have become stellar tunesmiths and melody masters with low-end musical talent.
Was Mozart a good pianist ? i don't know and i don't care, genius simply goes beyond that.
A piece of a 2/7 Variety interview with Quincy Jones reveals he had/has little musical respect for the Fabs
The Beatles were terrible musicians.
“They were the worst musicians in the world. They were no-playing motherf—ers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, ‘Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.’ So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, ‘George, can you play it back for me one more time?’ So George did, and Ringo says, ‘That didn’t sound so bad.’ And I said, ‘Yeah, motherf—er because it ain’t you.’ Great guy, though.
Yeah, and what did Quincy Jones ever do for us?
Agreed
That pretty much sums it up .... great harmonies!
Yeah. And how many times did that happen? Was QJ at every recording session? And...I'm not aware that Mr. Jones's protege Michael Jackson played any instrument whatsoever other than his vocal chords and his dancing body. Perhaps Jones might have acknowledged that after this passive aggressive babble.
Maybe it's true that separately the Fabs were not Juilliard geniuses (except that Lennon and McCartney each played several instruments), I don't know, but together their blend seems to tell a very different story. It's highly unlikely they would ever have become stellar tunesmiths and melody masters with low-end musical talent.
I don't think this is an attack on the Beatles. I've heard the same thing from many musicians. However, none of them could craft a tune of such enduring appeal. I liked the Beatles. All my adult children Millenials, Gen Z and Zoomers like the Beatles. I can appreciate that there existed and exists still better musicians, together or separately, than the Beatles. They should go write Helter Skelter.
A piece of a 2/7 Variety interview with Quincy Jones reveals he had/has little musical respect for the Fabs
The Beatles were terrible musicians.
“They were the worst musicians in the world. They were no-playing motherf—ers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, ‘Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.’ So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, ‘George, can you play it back for me one more time?’ So George did, and Ringo says, ‘That didn’t sound so bad.’ And I said, ‘Yeah, motherf—er because it ain’t you.’ Great guy, though.
The Beatles were terrible musicians.
“They were the worst musicians in the world. They were no-playing motherf—ers. Paul was the worst bass player I ever heard. And Ringo? Don’t even talk about it. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thing he was trying to fix on a song. He couldn’t get it. We said, ‘Mate, why don’t you get some lager and lime, some shepherd’s pie, and take an hour-and-a-half and relax a little bit.’ So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up. Ringo comes back and says, ‘George, can you play it back for me one more time?’ So George did, and Ringo says, ‘That didn’t sound so bad.’ And I said, ‘Yeah, motherf—er because it ain’t you.’ Great guy, though.
Quince can be bitter I guess - Peter Jackson is in the process of making a film about the Beatles, looks like they can play to me. Poor old Ringo, they always pick on the drummer.
www.youtube.com/watch?v=UocEGv...