They haven't got the balls
No matter how do you do it
It's just you do it, that's all
You got what it takes
To knock at my door
You wanna get all excited
Never been here before
And now I'm your apple-eatin' heathen
The original sin
You ain't got my faith
So best keep your belief
I have waited forever to love someone
I swear I heard you thank your God
That time for having me come along
Chickens don't fly
But they have got the wings
No matter how hard they try
They bump into things
They're all running around
Knock their heads on the ground
They got a wish bone
Where their back bone should have grown
Now I'm your apple-eatin' heathen
Any old rib-stealin' Eve
And you ain't got my faith
So best keep your belief
I have waited forever to love someone
I swear I heard you thank your God
That time for having me come along
Another intimacy
Reduced to cruelty
And I had you believe
That this was meant to be
And I'm low for the magic
But you got away with it
That's all

Elizabeth Caroline Orton (born 14 December 1970) is an English musician, known for her "folktronica" sound, which mixes elements of folk and electronica. She was initially recognised for her collaborations with William Orbit, Andrew Weatherall, Red Snapper and the Chemical Brothers in the mid-1990s. Her UK/US first solo album, Trailer Park, received much critical acclaim in 1996. Orton developed a devoted audience with the release of the BRIT Award-winning album Central Reservation (1999) and the 2002 UK top 10 album, Daybreaker. Her 2006 album, Comfort of Strangers, was followed by a break during which Orton gave birth to her daughter and collaborated with the British guitarist Bert Jansch. Orton returned with Sugaring Season in 2012, which moved towards a purer acoustic sound, followed by a return to electronic music with Kidsticks, released in 2016.
Orton's music has been featured in the movies How to Deal and Vanilla Sky, and also in the TV series Felicity, Charmed, Dawson's Creek, Roswell, Grey's Anatomy and Manifest, providing her with exposure to a more mainstream American audience.