I can't talk about it not right now
On my dying day I might be able to say
On a still sea full of manly rage
On my dying day I might be able to say
I might be able to say
You know I finally see things all your way
All your way
I was raised with the strong of heart
But if you touch me wrong I fall apart
I found a woman who's soft but she's also hard
While I slept she nailed down my heart
I run good but I'm hard to start
And the brakes are bad so I'm hard to stop
I found a woman who's soft but she's also hard
While I slept she nailed down my heart
Let's put it to bed let's put it down
I can't talk about it not right now
On my dying day I might be able to say
On a still sea full of manly rage
On my dying day I might be able to say
Where every word explodes in my face
I might be able to say
You know I finally see things all your way
I finally see things all your way

Morphine was an American rock band formed by Mark Sandman, Dana Colley, and Jerome Deupree in Cambridge, Massachusetts, in 1989. Drummer Billy Conway replaced Deupree as the band's live drummer in 1991. Deupree recorded the album Cure For Pain, with the exception of the title track which was recorded by Conway, before being permanently replaced by Conway in 1993. Both drummers appeared together during a 15 date US tour in March of 1999. After five successful albums and extensive touring, they disbanded after lead vocalist Sandman died of a heart attack onstage in Palestrina, Italy, on July 3, 1999. Founding members have reformed into the band Vapors of Morphine, maintaining much of the original style and sound.
The band used an idiosyncratic set of instruments and combined blues and jazz elements with more traditional rock arrangements, which gave it an unusual and original sound. The instruments mainly consisted of baritone saxophone (played by Colley), two-string bass (played by Sandman), and drums. Sandman sang distinctively in a "deep, laid-back croon", and his songwriting featured a prominent beat influence. The band themselves coined the label "low rock" to describe their music, which involved "a minimalist, low-end sound that could have easily become a gimmick: a 'power trio' not built around the sound of an electric guitar. Instead, Morphine expanded its offbeat vocabulary on each album."
The band enjoyed positive critical appraisal, but met with mixed results commercially. In the United States the band was embraced and promoted by the indie rock community, including public and college radio stations and MTV's 120 Minutes, which the band once guest-hosted, but received little support from commercial rock radio and other music television programs. This limited their mainstream exposure and support in their home country, while internationally they enjoyed high-profile success, especially in Belgium, Russia, Portugal, France and Australia.
Everybody in my mushrooming multitude of churches be dancing buck ass naked all across the world like bowlegged gypsy muleskinners... we love this song... love sex, drugs, and rock 'n roll...
Me too! And not just for instruments, I'll take Bar(rack) over a Trump(et) EVERY day (I know...a bit of a stretch)
Long Live RP!!
saw them in the mid 90's in Lawrence, Kansas. excellent show
You lucky duck! I wish I could have been there too!
First Morphine album I have bought (and definitely not the last). I once played it while I was in bed with a pretty bad fever, and it actually eased the pain. The band name is well-deserved!
Cool story. Thank You for sharing it.
And it could be a baritone sax, at that. Even better ! I can't seem to get enough of this band....
You should check out Misterfixit's post on the type of saxophone used in Morphine songs--very interesting. His dad, Hebe Mann, played saxophone for Spike Jones and owned a nightclub on the West Coast.
You should only buy the songs where they use a sax.
Never thought of the two bands together..but you have a good point.
Beautiful... isn't it
Perfect really...