(my little Basquiat)
Stick men fighting stick dinosaurs
(my little Basquiat)
Colours leaping all over the mat
(my little Basquiat)
The kitchen floor is where it's at
For my little Basquiat
One day
He'll be golden
Maybe chosen
Perhaps to lead
One day
He'll be shaken
Maybe taken
Perhaps to bleed
My big girl swinging from the bars
(my little Comăneci)
Fist of stone flying above the yard.
(my little Comăneci)
Halfway up is halfway down
(my little Comăneci)
Or maybe it's the other way around
For my little Comăneci
One day
She'll be moonlight
Maybe too bright
Perhaps, to shine
One day
She'll be found out
Maybe ground down
Perhaps she'll cry
My little girl on her mothers lap
(my little panchen lama)
Sucking on her fingers, surveying the roadmap
(my little panchen lama)
Seems to be the only one around
(my little panchen lama)
That sees the red lights at the end of town
(my little panchen lama)
One day
They'll be older
Maybe bolder
Perhaps, than me
One day
They'll be rising
Maybe living
Perhaps, in peace
Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was a member of the band but left the group before the recording of their debut studio album. The band line-up has never changed since, although they use several guest musicians on many of their studio albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first.
Cowboy Junkies' 1986 debut studio album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone.
The band gained wide recognition with their second studio album, The Trinity Session (1988), recorded in 1987 at Toronto's Church of the Holy Trinity. Their sound, again with Peter Moore using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording one of the 10 best albums of 1988.
Cowboy Junkies have gone on to record 16 studio albums and five live albums, with tour dates booked into 2024.
We are each stage, each gender, each age, all at the same instant.
When we see the grandchildren arrive, we can watch our own children see that instant and feel their pain. Nobody need speak.
One instant ties all our bloodline and humanity together...
"aweful"? or "awful"… a little different meaning implied.
westslope wrote:
It's a passive aggressive way of saying "if you like this song (or artist) you are pretentious because I don't like/understand this song (or artist)".
Agreed.
Seconded.
And in shorter words, using the word pretentious means "It's too smart for me."
(I personally knew the Basquiat name only before hearing the song, but that was it. I googled him and became wiser.)
It is always such a thrill to hear this brilliant song... love it...
Did you notice the knot on the cover is in the form of a heart?
Everybody in my church loves this song...
Love the Junkies.
love it... we be dancing...
It's a passive aggressive way of saying "if you like this song (or artist) you are pretentious because I don't like/understand this song (or artist)".
Agreed.
Nice song.
wonderful song... love it...
Having pretention, or effecting an overly important sense of self is all too common an occurance with musicians/performers/artists/anyone. So I have to disagree. And I AM aware of the irony in my reply.
But it is very true that people throw this term around far too often without knowing what it means, to try and sound intelligent, or as a label used to discredit music they don't like/get.
And yet people get on to us who just say I think this song sucks, can't have it both ways or are we just supposed to fawn over the songs or be quiet? Works in China like that and America is on its way.
This song is soooo good it puts a spring in my step this winter evening...
Beautiful song, and this whole album is great...
It's a passive aggressive way of saying "if you like this song (or artist) you are pretentious because I don't like/understand this song (or artist)".
Having pretention, or effecting an overly important sense of self is all too common an occurance with musicians/performers/artists/anyone. So I have to disagree. And I AM aware of the irony in my reply.
But it is very true that people throw this term around far too often without knowing what it means, to try and sound intelligent, or as a label used to discredit music they don't like/get.
We be dancing... love it...
Yea, me neither, I just think her voice sucks.