This song is for the broken-spirited man
This song is for anyone left standing
After the strain of a slow, sad end
It seems everybody wants what someone else has
There's sorrow enough for all
Just go in any bar and ask
With a beer in each hand and a smile in between
All around's a world grown mean
We've all had our ups and downs
It's been mostly down around here
Now this whole damn mess is becoming quite clear
Looks like we're all looking for a life worth livin'
That's why we drink ourselves to sleep
Yeah, we're all looking for a life worth livin'
That's why we pray for our souls to keep
There's nothing left now but broken pieces
Of one man's broken will to care
And in the end before all is said and done
How many others might follow him there?
This song is sung for anyone that's listening
This song is for the broken-spirited man
This song is for anyone left standing
After the strain of a slow, sad end
Midnight is comin' 'round
Still mostly down around here
Now this whole damn mess is becoming quite clear
Uncle Tupelo was an alternative country music group from Belleville, Illinois, active between 1987 and 1994. Jay Farrar, Jeff Tweedy, and Mike Heidorn formed the band after the lead singer of their previous band, The Primitives, left to attend college. The trio recorded three albums for Rockville Records, before signing with Sire Records and expanding to a five-piece. Shortly after the release of the band's major label debut album Anodyne, Farrar announced his decision to leave the band due to a soured relationship with his co-songwriter Tweedy. Uncle Tupelo split on May 1, 1994, after completing a farewell tour. Following the breakup, Farrar formed Son Volt with Heidorn, while the remaining members continued as Wilco.
Although Uncle Tupelo broke up before it achieved commercial success, the band is renowned for its impact on the alternative country music scene. The group's first album, No Depression, became a byword for the genre and was widely influential. Uncle Tupelo's sound was unlike popular country music of the time, drawing inspiration from styles as diverse as the hardcore punk of The Minutemen and the country instrumentation and harmony of the Carter Family and Hank Williams. Farrar and Tweedy's lyrics frequently referred to Middle America and the working class of Belleville.
