
Charlie Parker lived in vain
Blasphemer, womanizer
Let a needle numb his brain
Wash away his monkey music
Damn his demons, damn his pain
And what's the point of Albert Einstein
What do we need Physics for'
Heresy's his inspiration
Corrupt and rotten to the core
Curse his devious mathematics
Curse his deadly atom war
there's a message on the wind
Calling me to glory somewhere
There are signs too deep for the dumb
Like perfume in the air
And when I get to Heaven
I won't realize that I'm there
Shakespeare, Isaac Newton
Small ideas for little boys
Adding to the senseless chatter
Adding to the background noise
Hard to hear my oratory
Hard to hear my inner voice
Van Gogh, Botticelli
Scraping paint onto a board
Color is the fuel of madness
That's no way to praise the Lord
Gray's the color of the pious
Knelt upon the misery cord
there's a message on the wind
Calling me to glory somewhere
There are signs too deep for the dumb
Like perfume in the air
And when I get to Heaven
I won't realize that I'm there
I'm familiar with the cover
I don't need to read the book
I police the world of action
Inside's where I can never look
Got no time to help the worthless
Lotus-eaters, Mandarins, crooks
there's a message on the wind
Calling me to glory somewhere
There are signs too deep for the dumb
Like perfume in the air
And when I get to Heaven
I won't realize that I'm there

Richard Thompson (born 3 April 1949) is an English singer, songwriter, and guitarist.
Thompson first gained prominence in the late 1960s as the lead guitarist and songwriter for the folk rock group Fairport Convention, which he had co-founded in 1967. After departing the group in 1971, Thompson released his debut solo album Henry the Human Fly in 1972. The next year, he formed a duo with his wife Linda Thompson, which produced six albums, including the critically acclaimed I Want to See the Bright Lights Tonight (1974) and Shoot Out the Lights (1982). After the dissolution of the duo, Thompson revived his solo career with the release of Hand of Kindness in 1983. He has released eighteen solo studio albums. Three of his albums—Rumor and Sigh (1991), You? Me? Us? (1996), and Dream Attic (2010)—have been nominated for Grammy Awards, while Still (2015) was his first UK Top Ten album. He continues to write and record new material and has frequently performed at venues throughout the world, although the COVID-19 pandemic forced him to suspend his touring.
Music critic Neil McCormick described Thompson as "a versatile virtuoso guitarist and a sharp observational singer-songwriter whose work burns with intelligence and dark emotion". His songwriting has earned him an Ivor Novello Award and, in 2006, a lifetime achievement award from BBC Radio. His 1991 song "1952 Vincent Black Lightning" was included in Time magazine's "All-TIME 100 Songs" list of the best English-language musical compositions released between 1923 and 2011. Thompson was appointed Officer of the Order of the British Empire (OBE) in the 2011 New Year Honours for services to music. Many varied musicians have recorded Thompson's compositions.
In 2021, his book Beeswing: Losing My Way and Finding My Voice, 1967–1975 was published, mainly a memoir of his life as a musician from 1967 to 1975.
He's Brit. They actually learn English in school, with words and all.
Never heard of 'em; some of your faves I assume?
I used those names in a snarky manner which, apparently, went right over your head. (Oh, okay, I know they didn't.)
Sometimes, I just get too wrapped up in the music and my own personal preferences.
Truce? Please? I'm too damned tired to engage anymore. You love what you love, and that's cool.
Hugs to you. (Well, I give hugs to pretty much everyone - I'm a hugger. If it offends you, PM me and we'll work it out.)
What a great little story! He's rather amazing, is he not? My favorite of his is "I Agree With Pat Metheny." Second only to his counsel to Janet Jackson regarding certain body parts and how they could be better used to feed hungry babies...
Trust me, it is a parody
I'd say it's more sarcastic (and bitingly so) than a parody. But the lyrics are certainly not serious, nor should they be taken literally.
Cool song from a great musician.
It seems many people got hung up on the lyrics so I went and read them. I suppose I can see where overly religious people can view them as incendiary but its not exactly as if he pointing fingers at anyone specific. Most zealots I know seem to think they are open minded and probably wouldn't understand this song is about them.
Or at least that's how I see it.... :)
Well, don't fret - I'm sure there'll be a Belinda Carlisle or Abba song for you soon.
No, neither of those artists are played very often here, but there will be some sort of classic rock tune along shortly. There's no need to resort to a false dichotomy, however.
In this case his/her grammar is correct.
Well, I have to weigh in here - I think your analysis is wrong. The subject of the verb in that sentence is 'tone' which is singular. Unless I've completely forgotten how this works, it's the singularity (or not) of the subject of the sentence that is the determinant. The adjectives 'pious' and 'self-righteous' have nothing to do with verb form use - at least, not in this case. Ok, so now I'll turn out to be wrong for some other arcane reason (but the original sentence sure looks and sounds off to me).
Well, don't fret - I'm sure there'll be a Belinda Carlisle or Abba song for you soon.