I said he ain't here, but he sure went past
Oh, you're looking for Jimmy Jazz
Yeah they say satta massagana for Jimmy Dread
Cut off his ears and chop off his head
Police come look for Jimmy Jazz
So if you're gonna take a message across the town
Maybe put it down somewhere over the other side
See it gets to Jimmy Jazz
Police came in they said, now where's Jimmy Jazz?
I said he was here but he sure went past
Police they be looking for Jimmy Jazz, jazz, jazz, jazz
Satta massagana for Jimmy Dread
Cut off his ears and they'll chop off his head
Oh you're looking for Jimmy Jazz, jazz, jazz, jazz
What a relief
I feel like a soldier, look like a thief
It's Jimmy Jazz
Don't you bother me, not any more
I cant take this tale, oh, no more
Its all around Jimmy Jazz
J-A-Z-Z, J-A-Z-Z
J-A-Z-Z, J-A-Z, Jimmy Jazz
And then it sucks
He said suck that
So go look all around
You can try your luck brother and see what you found
But I guarantee you that it ain't your day, your day, it ain't your day
Chop, chop

The Clash were an English rock band that formed in London in 1976 and were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they used elements of reggae, dub, funk, ska, and rockabilly, and they contributed to the post-punk and new wave movements that followed punk. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
The Clash achieved critical and commercial success in the United Kingdom with the release of their debut album The Clash (1977) and their second album Give 'Em Enough Rope (1978). Their experimental third album London Calling, which was released in the UK in December 1979, earned them popularity in the United States, where it was released the following month. A decade later, Rolling Stone named London Calling the best album of the 1980s. Following continued musical experimentation on their fourth album Sandinista! (1980), the band were more successful with the release of Combat Rock (1982), which includes the US top-10 hit "Rock the Casbah", helping the album to achieve a 2× platinum certification there.
In 1982, Headon left the band due to internal friction surrounding his increasing heroin addiction, and Jones departed the following year. With a new lineup, the band released their final album Cut the Crap in 1985 before disbanding a few weeks later.
In January 2003, shortly after the death of Joe Strummer, the band, including original drummer Terry Chimes, were inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked the Clash number 28 on its list of the "100 Greatest Artists of All Time".
fucking awful, innit?
Bard
Bad.
I think this was inspired by The Beatles "You Know My Name, Look Up The Number"
When this album came out (1979), the punk movement was already waning (or at least diversifying/evolving into sub-genres such as "new wave"), and most would agree that this can't really be considered a punk album, nor do I think it was intended to be, by those Clash guys.
Shimmer,
Try listening to their first album, “The Clash,” especially White Riot and Career Opportunities. These songs are fast and chaotic sounding and reflect the earlier 1976-1977 pure punk sound. Like most bands that stayed together for a while, their sound evolved as they became more proficient with their instruments and were able to write and perform increasingly varied and complex music. You are definitely correct when you point out that many of their later songs do not really meet the classic criteria for a punk rock. I also might add, that like many bands of that era, (Ramones and the Go-Gos immediately come to mind) their live concerts featured a sound that was markedly louder, rawer and faster then their studio recordings. Shedding that initial garage band sound did allow them to broaden their appeal to a much wider audience, and while I personally prefer the older, snarling, take no prisoners attitude, they still made some great records in their later years.
Sure, but they were better musicians than a lot of their contemporaries, and tended to write poppier songs, even with titles like "Drug-stabbing Time" or "White Riot."
Nice post. Scott! I actually saw them play "White Riot" live in St. Paul in 1979 with a couple hundred other people in a friggin' hockey arena. David Johansen and The Undertones were also on the bill. GOOD TIMES!
Those early Clash songs had an element of mayhem which always worked for me.
Two observations:
1) I love a song that's under 2 minutes (White Riot) and still includes a guitar solo
2) I also liked Joe's overall look better BEFORE he got his teeth fixed...it screamed "WE'RE A GARAGE BAND, WE COME FROM GARAGELAND"!
Sure, but they were better musicians than a lot of their contemporaries, and tended to write poppier songs, even with titles like "Drug-stabbing Time" or "White Riot."
Because of that song, I watched a few Montgomery Clift movies a couple years ago. So far, I've taken in From Here to Eternity, A Place in the Sun, and Red River. They've all been on the "plus side" to varying degrees.
Need to say I do love my Brother Jimmy, Peace Beautiful People
Shimmer wrote:
Indeed, listen to their first 3 albums, the ones preceding London Calling. Don't forget that PUNK is an attitude, not necessarily hard fast 3 chord rock and roll.
Great is an understatement for London Calling. You have to read some pretentious 95+ point wine reviews for proper descriptions for this "enticingly layered and focused masterpiece, it's velvety rich texture is both nuanced and pronounced mouth feel, a chocolate silky finish provides the palette with a euphoric experience"
It's music, I doubt that's what the clash were going for and would laugh their bollocks off at you for talking such shit. shut it and listen.
very cool... from a GREAT album...
Great is an understatement for London Calling. You have to read some pretentious 95+ point wine reviews for proper descriptions for this "enticingly layered and focused masterpiece, it's velvety rich texture is both nuanced and pronounced mouth feel, a chocolate silky finish provides the palette with a euphoric experience"
very cool... from a GREAT album...