But it caught me here
Yes, my loyalties turned
Like my ankle
In the seventh grade
Running after Billy
Running after the rain
These precious things
Let them bleed, let them wash away
These precious things
Let them break their hold over me
He said, you're really an ugly girl
But I like the way you play
And I died
But I thanked him
Can you believe that?
Sick, sick
Holding on to his picture
Dressing up every day
I want to smash the faces
Of those beautiful boys
Those Christian boys
So you can make me come
That doesn't make you Jesus
These precious things
Let them bleed, let them wash away
These precious things
Let them break their hold over me
I remember, yes
In my peach party dress
No one dared
No one cared to tell me
Where the pretty girls are
Those demigods
With their nine inch nails
And little fascist panties
Tucked inside the heart of every nice girl
These precious things
Let them bleed, let them wash away
These precious things
Let them break, let them wash away
These, these precious things
Let them bleed now, let them wash away
These, these precious things
Let them break their hold over me
Precious
Precious

Tori Amos (born Myra Ellen Amos; August 22, 1963) is an American singer-songwriter and pianist. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She had to leave at the age of eleven when her scholarship was discontinued for what Rolling Stone described as "musical insubordination". Amos was the lead singer of the short-lived 1980s pop group Y Kant Tori Read before achieving her breakthrough as a solo artist in the early 1990s. Her songs focus on a broad range of topics, including sexuality, feminism, politics, and religion.
Her charting singles include "Crucify", "Silent All These Years", "God", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark", "1000 Oceans", "Flavor" and "A Sorta Fairytale", her most commercially successful single in the U.S. to date. Amos has received five MTV VMA nominations and eight Grammy Award nominations, and won an Echo Klassik award for her Night of Hunters classical crossover album. She is listed on VH1's 1999 "100 Greatest Women of Rock and Roll" at number 71.
The comparison is so stale. And so deeply not required or helpful. Both are fine artists and neither is 'copying' the other. If we had this discourse for every man with a guitar and a baritone voice and similar musical background then it might be more valid, but we don't. This comparison is a lazy invention of the music press and should die now.
The comparison is so stale. And so deeply not required or helpful. Both are fine artists and neither is 'copying' the other. If we had this discourse for every man with a guitar and a baritone voice and similar musical background then it might be more valid, but we don't. This comparison is a lazy invention of the music press and should die now.
Steady on Vespertine82, I was about to post that Tori Amos was like the American equivalent of the English Kate Bush. I do not read the Music Press and just before I posted my comment I read the other comments and came across yours - oh dear.
"Stale comparison", "lazy invention" - not at all - I have a free will and came to the same conclusion as others. We only do it because we like to share our thoughts on this forum.
"... so Deeply not required or unhelpful" - sorry you feel that way but I don't think anybody is saying Tori copies Kate or vice versa - we just hear similarities on many levels - enough to point that out and I see nothing wrong with that.
Wow! That was beautiful.
You say that like it's a bad thing.
I love all of Tori's work, both vocal and instrumental (great pianist.). And what a great songwriter!
I do see similarities as a vocalist to Kate Bush but each is amazing in her own right. I can't say I like one better than the other... I love them both equally and the music world would be the poorer without either of them.
damn, am I first?!?
ouch! those Swedes are just too quick...........lol
Beyond the piano composition (although really Bush doesn't play the piano with anything like the ability or centrality to her shtick that Amos does), approximate vocal range and both being smart, well-read women who write and produce their own work, the two artists are not that similar and have really rather different writing styles and artistic interests. Amos, for example, is deeply political and Bush is practically apolitical (see her catastrophic attempts to say that Theresa May wasn't so bad and subsequent public outrage at how she must be a secret right wing crazy, a narrative only made possible because Bush has given nothing overtly political in 40 years of making music).
The comparison is so stale. And so deeply not required or helpful. Both are fine artists and neither is 'copying' the other. If we had this discourse for every man with a guitar and a baritone voice and similar musical background then it might be more valid, but we don't. This comparison is a lazy invention of the music press and should die now.
Very much appreciate your clear and thoughtful reflection - I completely agree.
The comparison is so stale. And so deeply not required or helpful. Both are fine artists and neither is 'copying' the other. If we had this discourse for every man with a guitar and a baritone voice and similar musical background then it might be more valid, but we don't. This comparison is a lazy invention of the music press and should die now.
Your definition of "compare" is apparently "esteem as equal". How about "consider similarities and dissimilarities". How about we throw Karen Carpenter into the mix, for the sake of comparison? I have no problem comparing Amos & Bush - no they are not the same, but aren't there some ways in which they are similar? In the universe of women artists, TA and KB are at least in the same constellation, CK not so much, obviously. Keep on comparin' . . .
I also love this song as it is sampled in this song by the electronic music group Rabbit in the Moon.
How is Bangkok today, uneasy? The news has been all over the place.
cool...
Edit: No I am. ;)
Not sure whether comparisons in general or this one in particular are lazy, but they are useless and a waste of time. Never once have I been seen a comment about band /singer/song X sounding like band/singer/song Y and thought "wow that is enlightening". Usually my thought when seeing such a comment is I don't hear it or yeah but so what? It's just a waste of time whether misogynistic or not.
You don't have to read any comments you don't like... just move on to the next one. No one is forcing you to waste time. In many ways a number of these comments are time wasters, yours included, but I don't mind. Just sayin'.