A beggar man, a thief
If he had a rich man in his hand?
And who would steal the candy
From a laughing baby's mouth
If he could take it from the money man?
Cross-eyed Mary goes jumping in again
She signs no contract
But she always plays the game
She dines in Hampstead village
On expense accounted gruel
And the jack-knife barber drops her off at school
Hey, laughing in the playground
Gets no kicks from little boys
Would rather make it with a letching gray, yeah
Or maybe her attention is drawn by Aqualung
Who watches through the railings as they play
Hey, cross-eyed Mary finds it hard to get along
She's a poor man's rich girl and she'll do it for a song
She's a rich man stealer but her favour's good and strong
She's the Robin Hood of Highgate
Helps the poor man get along, hey
Laughing in the playground
Gets no kicks from little boys
Would rather make it with a letching gray, yeah
Or maybe her attention is drawn by Aqualung
Who watches through the railings as they play
Cross-eyed Mary goes jumping in again
She signs no contract
But she always plays the game
She dines in Hampstead village
On expense accounted gruel
And the jack-knife barber drops her off at school
Hey, cross-eyed Mary, oh baby, oh, cross-eyed Mary

Jethro Tull are a British progressive rock band formed in Blackpool, Lancashire, in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. The group's lead vocalist, bandleader, founder, principal composer and only constant member is Ian Anderson, who also plays flute and acoustic guitar. The group has featured a succession of musicians throughout the decades, including significant contributors such as guitarists Mick Abrahams and Martin Barre (with Barre being the longest-serving member besides Anderson); bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg, Jonathan Noyce and David Goodier; drummers Clive Bunker, Barrie "Barriemore" Barlow and Doane Perry; and keyboardists John Evan, Dee Palmer, Peter-John Vettese, Andrew Giddings and John O'Hara.
The band achieved moderate recognition in the London club scene and released their debut album, This Was, in 1968. After a line-up change which saw original guitarist Mick Abrahams replaced by Martin Barre, the band released a folk-tinged second album, Stand Up, in 1969. Stand Up, which reached No. 1 in the UK, gave the band their first commercial success, and regular tours of the UK and the US followed. Their musical style shifted in the direction of progressive rock with albums such as Aqualung (1971), Thick as a Brick (1972), and A Passion Play (1973), and shifted again to contemporary folk rock with Songs from the Wood (1977), Heavy Horses (1978), and Stormwatch (1979). In the early 1980s, the band underwent a major line-up change and moved into electronic rock with the albums A (1980), The Broadsword and the Beast (1982), and Under Wraps (1984). The band won their sole Grammy Award for the 1987 album Crest of a Knave, which saw them returning to a hard rock style. Jethro Tull have sold an estimated 60 million albums worldwide, with 11 gold and 5 platinum albums. They have been described by Rolling Stone as "one of the most commercially successful and eccentric progressive rock bands".
The band ceased studio recording activity in the 2000s, but continued to tour until splitting in 2011. Following the band's split, Anderson and Barre continued to record and tour as solo artists, with Anderson's band billed variously as both "Jethro Tull" and "Ian Anderson" solo. Anderson said in 2014 that Jethro Tull had come "more or less to an end". In 2017, however, Anderson revived the Jethro Tull name and released new studio albums in the 2020s. The current group includes musicians who were part of Jethro Tull during the last years of its initial run, as well as newer musicians associated with Anderson's solo band, without Barre's involvement.
Ah, the 1970s...fun song.
Bring it on, I say.
Well, criminey....he's only got about 2,000 tunes recorded....likely in the top 10 of rock 'n roll in pure volume of material. And 1 a day is too much? Good freakin' grief....talk about ADD :^ /
Which is so much better than impure shite, right?
No Sh#t eh. Im ready to throw one back but it's time for bed :/
forbidden was of course Black Sabbath
Zappa they just didn't understand
As a result I was never able to condemn what my kids listened to in their teens.
standards shift with the times
ya lost us on Grand Funk
Too bad for you.
And this whole time, I thought it was "And the jackdaw farmer drops a rock at you". Oh well.
ya lost us on Grand Funk
forbidden was of course Black Sabbath
Zappa they just didn't understand
As a result I was never able to condemn what my kids listened to in their teens.
standards shift with the times
Early on in my childhood, with my burgeoning devotion to listening to rock already established, my mom labeled it as a "fad."
(did not understand Zappa —
forbidden was of course Black Sabbath
Zappa they just didn't understand
As a result I was never able to condemn what my kids listened to in their teens.
standards shift with the times
Agreed. A daily shot is unnecessary.
Some Tull I like. Not this.
Anderson is trying to hard to drive the song with his vocals, which he could never pull off very well.
He's got great pipes when he doesn't force it. Aqualung for example.