
Son Volt

Son Volt is an American rock band formed in 1994 by Jay Farrar after the breakup of Uncle Tupelo. The band's current line-up consists of Farrar (vocals, guitar), Andrew DuPlantis (bass guitar), John Horton (guitar), Mark Patterson (drums), and Mark Spencer (keyboard, steel guitar). In addition to playing alternative rock, the band is considered a staple of the alternative country rock movement of the 1990s. The band's sound also is rooted in folk rock and Americana. The band went on an indefinite hiatus in 2001, before reforming in 2004.
from this album in RP library
length: 2:51
Since we already have a Wilco, this is fortunate.
I'd argue the Grateful Dead had a hand in developing the Bluegrass/Country to Rock crossover as well. Workingman's Dead did come out in 1970, after all.
...and Gram Parsons was recording w/the Byrds in parallel to Neil forming Crazy Horse. Here's a good wiki on Roots Rock: https://en.wikipedia.org/wiki/Roots_rock
Son Volt doesn't have much country essence. Let's try some early Blue Rodeo, say Diamond Mine.
I'd argue the Grateful Dead had a hand in developing the Bluegrass/Country to Rock crossover as well. Workingman's Dead did come out in 1970, after all.
...and Gram Parsons was recording w/the Byrds in parallel to Neil forming Crazy Horse. Here's a good wiki on Roots Rock: https://en.wikipedia.org/wiki/Roots_rock
Agreed! Nothing is lamer than the derivative argument. A derivation is also not a copy/ripoff of it's inspiration. As your comment suggests (Stones/Beatles), it can be and often is a starting point for greatness and innovation.
You won't be disappointed. I'm a huge fan. Start with the Trace album.
This is important because often groups spin off solo acts that don't quite achieve the artistic, if not popular, heights of the original group. I think The Byrds is one example. Yes, McGuinn, Hillman, and Crosby have had respectable solo careers, especially Hillman, but IMHO their group legend dwarfs their solo achievements.
The (Small) Faces is one of those rare exceptions, in which every member went on to an amazing solo career: Steve Marriott, Kenney Jones, Ronnie Lane, and Ian McLagan, who later, except for Marriott, joined forces with Rod Stewart and Ron Wood. Now THAT was a band.
Then again you can have seminal bands of little import that spawn monster solo careers, like Rising Sons did Taj Mahal and Ry Cooder.
I'll first the Byrds.
AndyJ wrote:
Just need a 12-string Martin and a wee touch of reverb...
The Byrds distinctive guitar sound was primarily from Roger McGuinn's use of twelve-string Rickenbacker electrics, not Martin acoustics, though I'm sure they had a few of those lying around as well.
Huh....Interesting....that...