

King Crimson were an English progressive rock band formed in 1968 in London. The band drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, blues, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band earned a large cult following.
Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's bass and powerful lead vocals. Their debut album, In the Court of the Crimson King (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous departures of McDonald and Giles, with Lake also leaving very shortly afterwards, the next two albums In the Wake of Poseidon and Lizard (both 1970) were recorded during a period of instability in the band's line-up. A settled band of Fripp, Sinfield, Mel Collins, Boz Burrell and Ian Wallace recorded Islands in 1971, though in mid-1972, Fripp let go of this line-up and changed the group's instrumentation and approach, drawing from European free improvisation and developing ever more complex compositions. With Bill Bruford, John Wetton, David Cross and, briefly, Jamie Muir, they reached what some saw as a creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). King Crimson disbanded at the end of 1974.
After seven years of inactivity, King Crimson was reborn in 1981 with another change in musical direction. The new band comprised Fripp, Bruford and new members Adrian Belew and Tony Levin. They drew influence from African music, gamelan, post-punk and New York minimalism. This band lasted three years, resulting in the trio of albums Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984). Following a decade-long hiatus, they reformed in 1994, adding Pat Mastelotto and Trey Gunn for a sextet line-up Fripp called "The Double Trio". The double trio participated in another three-year cycle of activity that included the release of Thrak (1995), and multiple concert recordings. There was a hiatus between 1997 and 2000. Four members of the double trio reunited in 2000 as a more industrial-oriented King Crimson, called "The Double Duo", releasing The Construkction of Light (2000) and The Power to Believe (2003). After a five-year hiatus, the group expanded (in the person of new second drummer Gavin Harrison) for a 2008 tour celebrating the 40th anniversary of their 1968 formation.
Following another hiatus (2009–2012), during which Fripp was thought to be retired, King Crimson came together again in 2013; this time as a septet (and, later, octet) with an unusual three-drumkit frontline, and new second guitarist and singer Jakko Jakszyk. This version of King Crimson continued to tour from 2014 to 2021, and released multiple live albums.
As is the album art.
There was no lettering - just that shocking facial image.
I started listening to their albums 6+ years later....
This line was striking:
"The fate of all mankind I see
Is in the hands of fools"
Today the war in Ukraine is raging, the planet is burning, people are marching, Putin is in the Kremlin. Trump is looming.
The fate of mankind is again (still) in the hands of fools.
This song epitomizes the power, transcendence and raw sexual energy of rock & roll.
Confusion is my epitaph, that lyric is in my head a lot!!
For me, it's "The fate of all mankind, I see, is in the hands of fools."
What a shame there are no re-mastered digitals of the original album
It might be the mellotron. An instrument used by the MB and KC and so many more at the time.
R.I.P. Greg Lake (what a voice).
GODLIKE!!! ICONIC!!!
I'd been noticing for a while that these two write very similar comments (a lot of exclamation points and capital letters), and this exchange made me even more curious, so I decided to "investigate" to see if they are the same person.
First, I looked at their general rating patterns:
# JJ EM (by %)
4 0 2
5 6 9
6 55 45
7 25 25
8 0 1
9 0 0
10 14 18
(I didn't include rating of less than 4 because neither really rate songs less than that. )
There are a few small differences, but it's clearly the same general pattern.
Next, I looked at the ratings of individual songs, and they have the exact same ratings for almost all of the songs I've seen them rate, and that includes ratings that aren't average, such as a 10 for Burning Down The House by Tom Jones & The Cardigans (average rating of 6.3). They aren't completely the same (joejennings rated Alone Again Or by Love a 10 while eileenomurphy rated it a 7), but they're almost the same, and you'd expect some variation in opinion at different times.
(Also, looking through joejennings' comments, he agrees with eileenomurphy 20+ times, and eileenomurphy agrees with joejennings a similar amount. )
So, I think they are the same person talking to him or herself. Good taste in music, either way.
Son of GTT
Sorry Zippy, close but no cigar! We knew each other in college & had similar musical tastes. We both went on to have long careers in live audio production, (mostly music), doing live shows & remotes for local PBS & NPR stations. We are both retired & still keep in touch!
It's strange to me that this immortal milestone of prog rock doesn't reach an average of 8.0 while nearly all Pink Floyd songs (even the wost ones) are rated beyond 8.0.
I GAVE IT A TEN!!!