
Roberta Joan "Joni" Mitchell (née Anderson; born November 7, 1943) is a Canadian-American singer-songwriter, multi-instrumentalist, and painter. As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate pop and jazz elements. She has received many accolades, including eleven Grammy Awards and induction into the Rock and Roll Hall of Fame in 1997. Rolling Stone called her "one of the greatest songwriters ever", and AllMusic has stated, "Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century."
Mitchell began singing in small nightclubs in Saskatoon and throughout western Canada, before moving on to the nightclubs of Toronto. She moved to the United States and began touring in 1965. Some of her original songs ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "The Circle Game") were recorded by other folk singers, allowing her to sign with Reprise Records and record her debut album, Song to a Seagull, in 1968. Settling in Southern California, Mitchell helped define an era and a generation with popular songs like "Big Yellow Taxi" and "Woodstock". Her 1971 album Blue is often cited as one of the greatest albums of all time; it was rated the 30th best album ever made in Rolling Stone's 2003 list of the "500 Greatest Albums of All Time", rising to number 3 in the 2020 edition. In 2000, The New York Times chose Blue as one of the 25 albums that represented "turning points and pinnacles in 20th-century popular music". NPR ranked Blue number 1 on a 2017 list of Greatest Albums Made By Women.
Mitchell began exploring more jazz-influenced ideas on 1974's Court and Spark, which featured the radio hits "Help Me" and "Free Man in Paris" and became her best-selling album. Mitchell's vocal range began to shift from mezzo-soprano to that of a wide-ranging contralto around 1975. Her distinctive piano and open-tuned guitar compositions also grew more harmonically and rhythmically complex as she melded jazz with rock and roll, R&B, classical music and non-Western beats. Starting in the mid-1970s, she began working with noted jazz musicians including Jaco Pastorius, Tom Scott, Wayne Shorter, Herbie Hancock, and Pat Metheny as well as Charles Mingus, who asked her to collaborate on his final recordings. She later turned to pop and electronic music and engaged in political protest. She was awarded the Grammy Lifetime Achievement Award in 2002.
Mitchell produced or co-produced most of her albums and designed most of her own album covers, describing herself as a "painter derailed by circumstance". A critic of the music industry, she quit touring and released her 19th and last album of original songs in 2007. She would give occasional interviews and make appearances to speak on various causes over the next two decades, though the rupture of a brain aneurysm in 2015 led to a long period of recovery and therapy. A series of retrospective compilations were released over the time period, culminating in the Joni Mitchell Archives, a project to publish much of the unreleased material from her long career. She returned to public appearances in 2021, accepting several awards in person, including a Kennedy Center Honor. Mitchell returned to live performance with an unannounced show at the June 2022 Newport Folk Festival and has made several other appearances since, including a headlining show in 2023.
Because this station is "listener supported", not listener owned or listener controlled. And thank heavens for that.
Hey, Shaky. There's a quote by Chaka Khan in the Feb. 24, 2019, NY Times that I'd like to share with you:
"I'm working on a Joni Mitchell project right now, who's a great friend. I have her blessing. I'm doing my favorite songs of Joni's. Not her hits -- the songs that have kept me alive on tour. When I'm on the bus, I always put on Joni Mitchell. She would revive me in a big way -- the music, the things she said, the philosopher in her. She's my favorite writer, singer-songwriter..."
It's okay if you don't like her. Tom Petty doesn't speak to me at all. But I think if you look a little deeper you will find her appeal crosses boundaries and she is appreciated more widely than you think.
I would rather let Bill play what Bill plays.
I'll never cease to be amazed by the sh*t that some people will post.
That has to be one of the most creepy and tasteless comments ever on RP.
You really want to talk about your STDs? Please find somewhere else to do it; maybe the doctor's office.
Come for the seductive melody and arrangement, stay for the gritty, insightful, and textured meaning.
It's not just Bill. 10.
It's easy to write off her music. She doesn't fit into a particular genre or groove. She doesn't re-bend to fit the form. Rather, she bends the form to fit.
I'm sorry if people have a problem with that, but I love her music - always have, always will. Sometimes, it's a struggle to understand her motive or her message, but I love the puzzle. Such is the Joni that those who've followed her already know and embrace.
To those who are hearing her work for the first time, welcome to the wild. Forget everything you ever learned about music as you know it - you're about to walk into a realm where all the rules disappear and everything is possible. To those who hate Ms. Mitchell's music part and parcel, I nod my head and watch you walk away, with no love lost.
Is it the perfect accompaniment to a nice meal? No.
Is it what you'd want to listen to while enjoying a full body massage from someone you find unspeakably attractive? Hell, no.
Is it what you'd want to have injected into your chilled-out stream of meditative semi-consciousness? Oh my goodness, please no.
However, it *is* a work of art. An expression of a group of feelings that comes along only so often in one's life, if ever. It was written by someone who, I think many would agree, has a singularly interesting perspective on human interactions and our bumbling attempts at understanding what the hell we're supposed to be doing here.
Back off the blinders and judge the work in context — if you find that you still hate it, I can only suggest that it may have more to do with when you're hearing it than the piece itself — assuming of course that you give a shit about people daring to express themselves outside the damn box.
Just some thoughts... thanks.
Only 1 play in the last 30 days for this one. The thing is, there's so much incredible material from Joni that still stands up so well.
I always liked this song purely because it brought back the nostalgia of growing up in an isolated place with a rookery nearby.
But now that I've read about Joni's life I can see the deeper meaning:
Although crows appear to be social animals, roosting in groups, when you look at their group the individuals are in constant motion - there are always one or two that hop from one tree to another or take flight when the wind picks up.
A black silhouette against a blue sky takes the image even further away from the group – standing out from the crowd, solitary, a loner, a misfit. (Much of Hejira was inspired by a road trip, half of it with a couple of buddies and the rest Joni on her own).
And if something shiny catches the individual's attention he'll immediately dive in and check it out without considering whether it's really something of value or not. (Joni's mistakes in life, the 'reckless daughter' - She left home very young, fell into a doomed marriage, gave up an unplanned child for adoption)
Some comments allude to the discordant or atonal aspects of this song. There's that 'misfit' image again!
But I often find myself humming phrases and lines from this song, so there's definitely a melody in there too.
So we have powerful imagery, her ethereal voice, unconventional melody, and the best of the best musicians all capturing the mood in their own way. No other word for it: GENIUS
It should be an obligatory part of a music teacher's curriculum, using Joni's best songs to show just how powerful the combination of words, haunting melody and an inspired choice of instruments/sounds can be.
A lyric for our times.