You're gonna give your love to me
I'm gonna love you night and day
Love is love and not fade away
Well love is love and not fade away
And my love is bigger than a Cadillac
I'll try to show it if you drive me back
Your love for me has got to be real
Before you'd have noticed how I feel
Love real not fade away
Well love real not fade away
Yeah
I wanna tell you how it's gonna be
You're gonna give your love to me
Love that lasts more than one day
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Not fade away
Not fade away

The Rolling Stones are an English rock band formed in London in 1962. Active across seven decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader of the band. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. The Jagger–Richards partnership became the band's primary songwriting and creative force.
Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront of the British Invasion in 1964, becoming identified with the youthful counterculture of the 1960s. They then found greater success with their own material, as "(I Can't Get No) Satisfaction", "Get Off of My Cloud" (both 1965), and "Paint It Black" (1966) became international number-one hits. Aftermath (1966), their first entirely original album, is often considered to be the most important of their early albums. In 1967, they had the double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" and experimented with psychedelic rock on Their Satanic Majesties Request. By the end of the 1960s, they had returned to their rhythm and blues-based rock sound, with hit singles "Jumpin' Jack Flash" (1968) and "Honky Tonk Women" (1969), and albums Beggars Banquet (1968), featuring "Sympathy for the Devil" and "Street Fighting Man", and Let It Bleed (1969), featuring "You Can't Always Get What You Want" and "Gimme Shelter".
Jones left the band shortly before his death in 1969, having been replaced by guitarist Mick Taylor. That year they were first introduced on stage as "the greatest rock and roll band in the world". Sticky Fingers (1971), which yielded "Brown Sugar" and "Wild Horses" and included the first usage of their tongue and lips logo, was their first of eight consecutive number-one studio albums in the US. It was followed by Exile on Main St. (1972), featuring "Tumbling Dice" and "Happy", and Goats Head Soup (1973), featuring "Angie". Taylor left the band at the end of 1974, and was replaced by Ronnie Wood. The band released Some Girls in 1978, featuring "Miss You", and Tattoo You in 1981, featuring "Start Me Up". Steel Wheels (1989) was widely considered a comeback album and was followed by Voodoo Lounge (1994). Both releases were promoted by large stadium and arena tours, as the Stones continued to be a huge concert attraction; by 2007, they had recorded the all-time highest-grossing concert tour three times, and they were the highest-earning live act of 2021. Following Wyman's departure in 1993, the band continued as a four-piece core, with Darryl Jones becoming their regular bassist, and then as a three-piece core following Watts' death in 2021, with Steve Jordan becoming their regular drummer. Hackney Diamonds, the band's first new album of original material in 18 years, was released in October 2023, becoming their fourteenth UK number-one album.
The Rolling Stones' estimated record sales of more than 250 million make them one of the best-selling music artists of all time. They have won three Grammy Awards and a Grammy Lifetime Achievement Award. They were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. Billboard and Rolling Stone have ranked them as one of the greatest artists of all time.
Holy s@*t! Not Fade away is not just any cover to The Rolling Stones. It is the very FIRST song the band ever released in the United States. Also, their first top-50 hit in America. Additionally, it's the first song on the first Rolling Stones American album release (Englands Newest Hitmakers The Rolling Stones).
In 1964, The Rollings Stones cover of "Not Fade Away", with a strong Bo Diddley beat, was a major hit in Britain. It was the A-side of the band's first US single. It was a mainstay of the band's concerts in their early years, usually opening the shows. In 1994 they made it a staple in their setlists on the Voodoo Lounge Tour (Stripped coming from that tour) frequently as the show opener.
I think they EARNED this cover.
RIGHT ON CC!
The rhythm is taken from Bo Diddley in both cases. The Stones wrote and recorded Not Fade Away before the Who did Magic Bus. Both are great and so was Bo Diddley..
Kept waiting for Bobby to wail "NOT FADE AWAY!!!"
No one "owns" this treasure. The beauty of the song is how it can be interpreted so many ways and to great effect by radically different artists. That makes it a true Traditional to me.
Hmm 🤨 they sound tired 🥱…?!
The Stones are tired? That's FUNNY!
The rhythm is taken from Bo Diddley in both cases. The Stones wrote and recorded Not Fade Away before the Who did Magic Bus. Both are great and so was Bo Diddley..
Magic Bus (1967) was after the Stones (1964) covered this Buddy Holly (1957) tune which did utilize the "Bo Diddley" Beat that Bo recorded in 1955 but was around as early as 1944.
https://en.wikipedia.org/wiki/...
Long Live RP and the Bo Diddley beat!!
I'd say this version speaks more to the quality of the songwriting than anything else.
Sure Buddy Holly stole Bo's beat, but he appropriated it from the 'hambone' rhythm of the African juba, so hey. Yes, I had to look up what a 'juba' is.
The genius of the kid from Lubbock (!!) is reflected in the longevity of his work. Over 60 years later, it still sound fresh, whether the original or one of hundreds (thousands?) of covers. Easily one of the top ten most influential artists of the rock n roll era.
c.
This version of Not Fade Away is a 9 for me.
Holy s@*t! Not Fade Away is the very FIRST song The Rolling Stones ever released in the United States. Also, their first top-50 hit in America. Additionally, it's the first song on the first Rolling Stones American album release (Englands Newest Hitmakers The Rolling Stones).
In 1964, The Rollings Stones cover of "Not Fade Away", with a strong Bo Diddley beat, was a major hit in Britain. It was the A-side of the band's first US single. It was a mainstay of the band's concerts in their early years, usually opening the shows. In 1994 they made it a staple in their setlists on the Voodoo Lounge Tour (Stripped coming from that tour) frequently as the show opener.
I think they EARNED this cover.
At least half of each of their early records were covers.
I agree that the Buddy Holly song kicks ass, one of my favorite 'early' rock songs....this isn't too bad....so "sorry, yes!" - it's a 7 and Long Live RP!!
I'll go +1, liking this intermediate era Stones cover of this CLASSIC rock track. And played after Natalie Merchant's cover of "Symptahy for the Devil" makes me wonder if a Buddy Holy will be featured next covering a song.....good luck with that transition, BillG! and LLRP!!
Don't think they were going for the Buddy Holly sound on this one in 64 or 95.
I agree that the Buddy Holly song kicks ass, one of my favorite 'early' rock songs....this isn't too bad....so "sorry, yes!" - it's a 7 and Long Live RP!!
I prefer the version they recorded 50+ years ago.
I prefer the Dead's version actually.