
Looked down upon the smiling faces
He met the gazes observed the spaces
Between the old men's cackle
He brewed a song of love and hatred
Oblique suggestions and he waited
He polarised the pumpkin-eaters
Static-humming panel-beaters
Freshly day-glow'd factory cheaters
Salaried and collar-scrubbing
He titillated men of action
Belly warming, hands still rubbing
On the parts they never mention
He pacified the nappy-suffering, infant-bleating
One-line jokers, T.V. documentary makers
Overfed and undertakers
Sunday paper backgammon players
Family-scarred and women-haters
Then he called (and he called) the band down to the stage
And he looked at all the friends he'd made
The minstrel in the gallery
Looked down upon the smiling faces
He met the gazes, observed the spaces
In-between the old men's cackle
Then he brewed a song of love and hatred
Oblique suggestions, and he waited
He polarised the pumpkin-eaters
Static-humming panel-beaters
The minstrel in the gallery
Looked down on the rabbit-run
Then he threw away his looking-glass
Saw his face in everyone
(Hey!)
He titillated men of action
Belly warming, hands still rubbing
On the parts they never mention
Salaried and collar-scrubbing
(Yeah)
He pacified the nappy-suffering
Infant-bleating, one-line jokers
T.V. documentary makers
Overfed and undertakers
Sunday paper backgammon players
Family-scarred and women-haters
Then he called the band down to the stage
And he looked at all the friends he'd made
The minstrel in the gallery
Looked down on the rabbit-run
Then he threw away his looking-glass
And saw his face in everyone
(Hey!)
The minstrel in the gallery, ye-e-es
Looked down upon the smiling faces
He met the gazes, yeah
Mm, the minstrel in the gallery

Jethro Tull are a British progressive rock band formed in Blackpool, Lancashire, in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. The group's lead vocalist, bandleader, founder, principal composer and only constant member is Ian Anderson, who also plays flute and acoustic guitar. The group has featured a succession of musicians throughout the decades, including significant contributors such as guitarists Mick Abrahams and Martin Barre (with Barre being the longest-serving member besides Anderson); bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg, Jonathan Noyce and David Goodier; drummers Clive Bunker, Barrie "Barriemore" Barlow and Doane Perry; and keyboardists John Evan, Dee Palmer, Peter-John Vettese, Andrew Giddings and John O'Hara.
The band achieved moderate recognition in the London club scene and released their debut album, This Was, in 1968. After a line-up change which saw original guitarist Mick Abrahams replaced by Martin Barre, the band released a folk-tinged second album, Stand Up, in 1969. Stand Up, which reached No. 1 in the UK, gave the band their first commercial success, and regular tours of the UK and the US followed. Their musical style shifted in the direction of progressive rock with albums such as Aqualung (1971), Thick as a Brick (1972), and A Passion Play (1973), and shifted again to contemporary folk rock with Songs from the Wood (1977), Heavy Horses (1978), and Stormwatch (1979). In the early 1980s, the band underwent a major line-up change and moved into electronic rock with the albums A (1980), The Broadsword and the Beast (1982), and Under Wraps (1984). The band won their sole Grammy Award for the 1987 album Crest of a Knave, which saw them returning to a hard rock style. Jethro Tull have sold an estimated 60 million albums worldwide, with 11 gold and 5 platinum albums. They have been described by Rolling Stone as "one of the most commercially successful and eccentric progressive rock bands".
The band ceased studio recording activity in the 2000s, but continued to tour until splitting in 2011. Following the band's split, Anderson and Barre continued to record and tour as solo artists, with Anderson's band billed variously as both "Jethro Tull" and "Ian Anderson" solo. Anderson said in 2014 that Jethro Tull had come "more or less to an end". In 2017, however, Anderson revived the Jethro Tull name and released new studio albums in the 2020s. The current group includes musicians who were part of Jethro Tull during the last years of its initial run, as well as newer musicians associated with Anderson's solo band, without Barre's involvement.
Really, you're much too kind. I don't know if I could survive a steel-cage Death Match with this bombastity.
A is for as I walked out, as all good songs begin.
B is for Brave Boys, the bit the audience joins in.
C is for the cabin boy who turns out not to be male,
And D is for the drummer who is very often female.
E is for ethnic stance with hand round mug of beer.
F is for the finger wot you sticks into your ear.
G is for the garter which often comes undone,
And H is for the hay where you untie it which is fun.
I is for the Irish rascal who already has a wife.
J is for John Barleycorn who keeps coming back to life.
K is for the k-nave who took a k-nife and killed his sister
... and mother, and father, seven brothers and assortment of male servants, his horse, his hawk, his greyhound, his ferrets, himself, all in 47 verses and assortment of keys.
L is where he's going, for to bake and burn and blister.
M is the merry month of May when youthful blood springs hot.
N is nine months later when you wish that it had not.
O is for "O no John no John no I don't approve,
Of P the perky way in which I saw your trousers move.
Q is found at festivals outside the ladies' loo.
R is for real ale, me boys, responsible for Q.
S is the sporran of the bonnie heilan laddie.
T is wild mountain thyme, gings a treat with finnan haddie.
U is unaccompanied song of very great appraisal.
V is for the vowel sounds which should preferably be nasal.
W is for the wife who takes tumble with the groom.
X is what her husband says on entering the room.
Y is you good people, I hope you've not been bored.
Z is for the zeal, with which I hope you might applaud!
I never really got into Tull, I think just a few songs were really overplayed. This is my first time hearing this, and it's amazing. Bill knows how to tease out the deep cuts.
c.