He was round and fat and spherical with the biggest grin I'd ever seen
He bounced on up toward me but before we could be introduced
He blew up very suddenly, I guess his name was probably Bruce
And I laughed like I always do
And I cried like I cried for you
And balloon man blew up in my hand
He spattered me with tomatoes, hummus, chick peas
And some strips of skin
So I made a right on 44th and I washed my hands when I got in
And it rained like a slow divorce
And I wish I could ride a horse
And balloon man blew up in my hand
I was walking up Sixth Avenue when balloon man blew up in my face
There were loads of them on Bryant Park so I didn't feel out of place
There must have been a plague of them on the TV when I came home late
They were guzzling marshmallows and they're jumping off the Empire State
And I laughed like I always do
And I cried like I cried for you
And balloon man blew up in my hand
Balloon man blew up in my hand

Robyn Rowan Hitchcock (born 3 March 1953) is an English singer-songwriter and guitarist. While primarily a vocalist and guitarist, he also plays harmonica, piano, and bass guitar. After leading the Soft Boys in the late 1970s and releasing the influential Underwater Moonlight, Hitchcock launched a prolific solo career. His musical and lyrical styles have been influenced by Bob Dylan, John Lennon, Syd Barrett, Captain Beefheart, Martin Carthy, Lou Reed, Roger McGuinn and Bryan Ferry.
Hitchcock's earliest lyrics mined a rich vein of English surrealist comic tradition and tended to depict a particular type of eccentric and sardonic English worldview. His music and performance style was originally (and remains) heavily influenced by Bob Dylan, but also by the English folk music revival of the 1960s and early 1970s, and this was soon filtered through a then-unfashionable psychedelic rock lens during the punk rock and new wave music eras of the late 1970s and early 1980s. This combination of musical styles won Hitchcock's band of the time, The Soft Boys, a very enthusiastic if small fanbase, but an extremely frosty critical reception from the UK music press of the era. However, the Soft Boys' final album together, Underwater Moonlight, posthumously earned them a glowing reputation (particularly in America) as a major influence on bands like R.E.M.
After finding a measure of success in the latter 1980s in America, Hitchcock's lyrical and musical horizons broadened further to encompass a range of approaches while still retaining a recognisably surreal, but more serious, signature style. He has recorded for two major American labels (A&M Records, then Warner Bros.) over the course of the 1980s and 1990s, and was the subject of a live performance/documentary film (Storefront Hitchcock) by major motion picture director Jonathan Demme in 1998. Since the turn of the millennium he has also finally received belated critical recognition in his home country. Despite this, mainstream success remains limited. He continues to tour and record prolifically and has earned strong critical reviews over a steady stream of album releases and live performances, and a dedicated "cult following" for his unique body of work.
Probably the most unlikely song to hear on any other station - way to go RP!
Love it.
Probably the most unlikely song to hear on any other station - way to go RP!
WXRT in Chicago plays Robyn Hitchcock.
Second—While I appreciate that Robyn Hitchcock is being played here—there are SO many great songs of his—why not play a few more?
YES! I love Robyn Hitcock
And FWIW, I rated this song a 9. It's a great happy song with some intriguing lyrics (like "it rained like a slow divorce" Brilliant!).
WXRT in Chicago plays Robyn Hitchcock.
XRT rocks!
Love it.
Probably the most unlikely song to hear on any other station - way to go RP!
You'll actually hear it quite often on WXRT in Chicago.
I played this on my show back in the day. Good times.
Tripping, man. I mean, like, maybe. Including the laughing and crying parts. Perhaps. Oh hell, I have no idea what it's about.
Hint: Just listen to the bass line and enjoy life.
It's certainly what could be called a happy bass line in a strangely happy song.
This would be a good tune to play on Thanksgiving Day.