
To be always on form
It takes a lot
I maybe not
All the time, all I've got
Maybe not
Been one of those days
Safety first, don't push
What's the hurry?
One nerve remaining
Waiting on one look
Have you got it?
Have you got it in you?
Have you got it in you?
All at once
Not a whisper nor word
Then all at once
(Let me have it all, let me have it, battle on)
(Easy target, look, can we just... just get it over with?)
It's getting worse
Against all the odds
It's getting worse
(Guard down, floor's yours)
(Last man standing. Can we just get it over with?)
Been one of those days
Safety first, don't push (don't push me)
What's the hurry?
Cause there's one nerve remaining
Waiting on one look (one look now)
Have you got it?
Have you got it in you?
Have you got it in you?
Blue, blue, they make me blue
Head down, quick
Take cover, be good in the move
Blue, you make me anymore blue
Long spin, shout
Power clean
Right out of your suit
Been one of those days
Safety first, don't push
What's the hurry?
One nerve remaining
Waiting on one look
Have you got it?
Have you got it in you?
Have you got it in you?
Have you got it in you?
Have you got it in you?
Have you got it in you?

Imogen Jennifer Jane Heap ( IM-ə-jən HEEP; born 9 December 1977) is a British musician, singer, songwriter and record producer. Her work has been considered pioneering in pop and electropop music.
Heap classically trained in piano, cello, and clarinet starting at a young age. She began writing songs at the age of 13 and, while attending boarding school, taught herself music production. After being discovered by manager Mickey Modern while attending the BRIT School, Heap signed to independent record label Almo Sounds at the age of 18 and later began working with experimental pop band Acacia. She released her debut album, an alternative rock record, I Megaphone, in 1998. In early 2002, Heap and English record producer Guy Sigsworth formed the electronic duo Frou Frou and released their only album to date, Details (2002).
Her second studio album, Speak for Yourself, was released in 2005 on her own label, Megaphonic Records, and was certified gold in the United States and Canada. The album spawned three singles: "Headlock", "Goodnight and Go", which became her highest-charting single as a lead artist on the UK Singles Chart, and "Hide and Seek", which was certified gold in the United States and gained popularity after being used in the Fox teen drama television series The O.C.. Heap's third studio album, Ellipse (2009), peaked in the top five of the Billboard 200 chart and received mostly positive reviews. This was followed by her fourth studio album, Sparks (2014). In 2017, she reunited with Sigsworth as part of Frou Frou.
Heap developed the Mi.Mu Gloves, a line of musical gloves, as well as a blockchain-based music-sharing program, Mycelia. She also composed the music for the West End/Broadway play Harry Potter and the Cursed Child. Over the course of her career, she has received two Grammy Awards, one Ivor Novello Award, and one Drama Desk Award. In July 2019, Heap was awarded an honorary doctorate from Berklee College of Music.
She does use the vocoder (or whatever voice-enhancing device it is) a lot, probably too much, but I like her stuff anyway.
In the same way the Beatles used the guitars too much?
There's a world of difference between writing a good electronic track and autotuning a horrible rap song. Don't fall into the trap of hating everything that sounds remotely digital just because the bulk of what is on the radio is rubbish.
Perfect description. Good dreams too!
Still an impressive achievement for a then-25 year old songwriter who took huge risks to bring her LP to life.
ummmm.... not so much
Ummmmmmm yes very much
Her voice makes me quiver...in a good way.
Imogen is such an inspiration for more than one. Or is it the other way around?
Unfortunately, I saw her opening for Josh Groban last year. Just her and a piano. It was grim, which is a shame because I usually really enjoy her stuff. I was wondering at the time whether she was a studio-only artist, but this seems not to be the case. Pity. The audience were talking all the way through, too...
yeah she's amazing https://www.youtube.com/watch?v=JvTwd4mTwQs
There's a world of difference between writing a good electronic track and autotuning a horrible rap song. Don't fall into the trap of hating everything that sounds remotely digital just because the bulk of what is on the radio is rubbish.
Who said anything about hating?
ummmm.... not so much