
Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. Beethoven's career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.
Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Beethoven, and later by Christian Gottlob Neefe. Under Neefe's tutelage in 1783, he published his first work, a set of keyboard variations. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon patronised by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795.
His first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his hearing deteriorating during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor), dedicated to his frequent patron Archduke Rudolf of Austria, premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown "Immortal Beloved" (1812).
After 1810, increasingly less socially involved, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas. His only opera, Fidelio, first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9, one of the first examples of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the Grosse Fuge, of 1825–1826 are among his final achievements. After several months of illness, which left him bedridden, he died in 1827.
The repeated motif at the beginning of this movement: dit-dit-dit-dah.
Morse code for the letter V is dit-dit-dit-dah.
The Roman numeral for 5 is V.
Coincidence? NO!
It's proof that aliens were around in Beethoven's time and influenced him to write this symphony with a message (using a code that had not yet been developed by humans) to those that can see the truth!
<insert sarcastic, cynical smiley>
Guess who is number one. (No peeking
As of today, this is #1.
0.004 points ahead of Hendrix's version of All Along The Watchtower.
Safe to say RP listeners have diverse tastes?
Done.
Keith Richards was just a kid!
Yeah, it's repetitive, derivative, and it sounds vaguely like Mumford & Sons.
And as others have pointed out that, for me, is exactly the point of listening to RP. I know of no other site, nor anything station that traverses the airwaves from source to listener, that does anything even remotely as appealing as this site does. Bill and crew have afforded me a listen to some music I know; the old standards and their variations and such. But they have also opened my ears to a range of music which, left to my own devices, I would never have heard or bothered to listen to simply by dint of not knowing the artist. They keep the veil of musical complacency from descending and blinkering my sensibilities. And for that I lift my glass and say....bravo!
Highlow
American Net'Zen
True and whilst today they die of drugs, he died of Syphillis! What a way to go!
27 people who should all be banned from this station!
Apologies ahead of time, but for some strange reason I feel compelled to tell a joke from my early childhood which I'm sure most of you have heard already. But for some reason I can't fight this strange compulsion...
What's brown and sits on a piano bench?
Beethoven's fifth movement.
I know, i know, sorry.
So that was one for all the kids and kids-in-spirit,
and here's one for all the dads and dad-souled folks:
When Beethoven passed away, he was buried in a churchyard. A couple days later, the town drunk was walking through the cemetery and heard some strange noise coming from the area where Beethoven was buried. Terrified, the drunk ran and got the priest to come and listen to it. The priest bent close to the grave and heard some faint, unrecognizable music coming from the grave. Frightened, the priest ran and got the town magistrate.
When the magistrate arrived, he bent his ear to the grave, listened for a moment, and said, "Ah, yes, that's Beethoven's Ninth Symphony, being played backwards."
He listened a while longer, and said, "There's the Eighth Symphony, and it's backwards, too. Most puzzling." So the magistrate kept listening; "There's the Seventh... the Sixth... the Fifth..."
Suddenly the realization of what was happening dawned on the magistrate; he stood up and announced to the crowd that had gathered in the cemetery, "My fellow citizens, there's nothing to worry about. It's just Beethoven decomposing."
Life's not fair. 10