

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life.
Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan", which brought a Spanish tinge to big band jazz.
At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multiple extended compositions, or suites, as well as many short pieces. For a few years at the beginning of Strayhorn's involvement, Ellington's orchestra featured bassist Jimmy Blanton and tenor saxophonist Ben Webster and reached a creative peak. Some years later following a low-profile period, an appearance by Ellington and his orchestra at the Newport Jazz Festival in July 1956 led to a major revival and regular world tours. Ellington recorded for most American record companies of his era, performed in and scored several films, and composed a handful of stage musicals.
Although a pivotal figure in the history of jazz, in the opinion of Gunther Schuller and Barry Kernfeld, "the most significant composer of the genre", Ellington himself embraced the phrase "beyond category", considering it a liberating principle, and referring to his music as part of the more general category of American Music. Ellington was known for his inventive use of the orchestra, or big band, as well as for his eloquence and charisma. He was awarded a posthumous Pulitzer Prize Special Award for music in 1999.
Seconded! Some lyrics-based continuity there, plus it just sounds so gooooood.
Apparently Ray Nance is playing and singing on this album, as well as Chick Corea.
RIP Chick
Apparently Ray Nance is playing and singing on this album, as well as Chick Corea.
Thank You!
He's our favorite son here in Washington DC.
Apparently Ray Nance is playing and singing on this album, as well as Chick Corea.
Edit: Amazon page suggests that the trumpet is Ray Nance. I stand corrected.
At the age of 15, I attended a 'Dance Class' under the impression it would immediately lead to conquests galore and the need to buy a diary to organise my future dating calendar. Hah!
To the point, this song was frequently played near the end of the evening and it quickly became apparent to me that anyone sitting down when it played was doomed to exit in a solitary fashion. Consequently I learned that it can be danced to after a fashion, at least not so abhorrently that one's proposed date would exit stage left at a high rate of knots, solo.
Consequently, I like this piece.
On reflection, perhaps this was a tardy tribute to Cynaera.
Funny story.
Get moving, or go home.
Did it achieve the desired result?
Can we expand the 1 - 10 scale for classic, impeccable pieces like this? Because this one deserves it.