Young people these days....and really since the turn of the century, or even a little before......seem to prefer listening to something that doesn't require much thought or introspection. And it's really a shame. Most of the music from the mid 60's (psycedelic era) and some even into the 70's (Rush/Kansas/Steely Dan for example), as well as jazz, requires more thought and effort to enjoy then they are capable of exercising. It's not crap...it's just that you are incapable of understanding it. Kind of like the difference between basic math and geometry.....or the difference between Beavis and Butthead and Albert Einstein.
Not true. I'm not even in my 40s yet and I dig it.
I dunno why I can find more info about this in Russian :
В своем дебютном трио певица и скрипачка Алиса Завадски, пианист Фред Томас (который также играет на исторической скрипке и ударных) и басист Миша Муллов-Аббадо представляют редкую алхимию, которая объединяет фолк-идиомы самого разного происхождения со свободным взаимодействием и гибкими структурами.
Таким образом, трио окружено независимым спектром стилей и звуков, сочетающим народную песню, камерную музыку, импровизацию и джаз, и на Za Górami они объединяют все эти качества в увлекательное целое. Здесь можно услышать сефардские песни, а также впечатляющие интерпретации "Suéltate Las Cintas" Густаво Сантаоллы и "Tonada De Luna Llena" Симона Диаса. "Za Górami" - традиционная польская песня, давшая название альбому, - звучит в пронзительной версии самого Завадского, а произведение эпохи Возрождения "Je Suis Trop Jeunette" находит родственную душу в вдохновленной монодией Фреда Томаса обработке "Нежной леди" Джеймса Джойса. Альбом был записан в Auditorio Stelio Molo в Лугано и спродюсирован Манфредом Айхером.
Automatic translation:
In their debut trio, singer and violinist Alisa Zawadzki, pianist Fred Thomas (who also plays the historical violin and drums) and bassist Misha Mullov-Abbado present a rare alchemy that combines folk idioms of very different origins with free interaction and flexible structures.
Thus, the trio is surrounded by an independent range of styles and sounds, combining folk song, chamber music, improvisation and jazz, and on Za Górami they combine all these qualities into a fascinating whole. Here you can hear Sephardic songs, as well as impressive interpretations of "Suéltate Las Cintas" by Gustavo Santaolla and "Tonada De Luna Llena" by Simon Diaz. "Za Górami", the traditional Polish song that gave the album its name, sounds in a piercing version by Zavadsky himself, and the Renaissance work "Je Suis Trop Jeunette" finds a kindred spirit in the Fred Thomas-inspired monody treatment of James Joyce's "Gentle Lady". The album was recorded at the Auditorio Stelio Molo in Lugano and produced by Manfred Eicher.
Anything beats the H*LL out of what is piped over the speakers where I work - 93% of the 'music' is the same dozen songs over and over ad nauseum. Ack!
I praise the eclectic mix and the chance to hear something new.
That's why I quit my last job. I'm of every radio if it's turned on all day. On RP however I can switch between mixes which is great feature.
You've put words out of my fingers 😉😄
Anti-vaxxers get off this site! Only intelligent people are allowed....
Funny how you said that. But when they ran comments through AI, vaxxers seem to operate more with feelings than facts.
Wow.
Young people these days....and really since the turn of the century, or even a little before......seem to prefer listening to something that doesn't require much thought or introspection. And it's really a shame. Most of the music from the mid 60's (psycedelic era) and some even into the 70's (Rush/Kansas/Steely Dan for example), as well as jazz, requires more thought and effort to enjoy then they are capable of exercising. It's not crap...it's just that you are incapable of understanding it. Kind of like the difference between basic math and geometry.....or the difference between Beavis and Butthead and Albert Einstein.
Not true. I'm not even in my 40s yet and I dig it.
В своем дебютном трио певица и скрипачка Алиса Завадски, пианист Фред Томас (который также играет на исторической скрипке и ударных) и басист Миша Муллов-Аббадо представляют редкую алхимию, которая объединяет фолк-идиомы самого разного происхождения со свободным взаимодействием и гибкими структурами.
Таким образом, трио окружено независимым спектром стилей и звуков, сочетающим народную песню, камерную музыку, импровизацию и джаз, и на Za Górami они объединяют все эти качества в увлекательное целое. Здесь можно услышать сефардские песни, а также впечатляющие интерпретации "Suéltate Las Cintas" Густаво Сантаоллы и "Tonada De Luna Llena" Симона Диаса. "Za Górami" - традиционная польская песня, давшая название альбому, - звучит в пронзительной версии самого Завадского, а произведение эпохи Возрождения "Je Suis Trop Jeunette" находит родственную душу в вдохновленной монодией Фреда Томаса обработке "Нежной леди" Джеймса Джойса. Альбом был записан в Auditorio Stelio Molo в Лугано и спродюсирован Манфредом Айхером.
Automatic translation:
In their debut trio, singer and violinist Alisa Zawadzki, pianist Fred Thomas (who also plays the historical violin and drums) and bassist Misha Mullov-Abbado present a rare alchemy that combines folk idioms of very different origins with free interaction and flexible structures.
Thus, the trio is surrounded by an independent range of styles and sounds, combining folk song, chamber music, improvisation and jazz, and on Za Górami they combine all these qualities into a fascinating whole. Here you can hear Sephardic songs, as well as impressive interpretations of "Suéltate Las Cintas" by Gustavo Santaolla and "Tonada De Luna Llena" by Simon Diaz. "Za Górami", the traditional Polish song that gave the album its name, sounds in a piercing version by Zavadsky himself, and the Renaissance work "Je Suis Trop Jeunette" finds a kindred spirit in the Fred Thomas-inspired monody treatment of James Joyce's "Gentle Lady". The album was recorded at the Auditorio Stelio Molo in Lugano and produced by Manfred Eicher.
Anything beats the H*LL out of what is piped over the speakers where I work - 93% of the 'music' is the same dozen songs over and over ad nauseum. Ack!
I praise the eclectic mix and the chance to hear something new.
That's why I quit my last job. I'm of every radio if it's turned on all day. On RP however I can switch between mixes which is great feature.
A public service announcement: this isn't reggae, it's dub. Thank you. Now back to the incredible Black Uhuru
It is literally called Reggae lol